January was a v. busy month for me, so I only read three books and didn’t post here as often as I would have liked. That is just how it goes, though.
The Black Book, Orhan Pamuk
Galip is a lawyer in Istanbul and is married to his cousin Ruya, who is the younger famous newspaper columnist Celal. One day when Galip returns home from the office, Ruya has disappeared, and so has Celal. There are dozens of people hunting for Celal and Galip joins the pursuit, but not for the columnist, but because he believes that Ruya may be there with him. What follows is a labyrinthine tale that, in chapters, alternates between Galip’s hunt and Celal’s columns that are somehow linked to the steps that Galip took to find Celal. Eventually, Galip decides that he must become Celal and think like him if he is going to ever find his wife.
The Black Book is the sixth book (fourth novel) of Pamuk’s I’ve read. It is a convoluted and dense read and Pamuk plays with format and style. The story feels like it is constructed of a number of frayed and loose ends right up until the end when Pamuk ties it neatly together, giving the reader resolution, if not the ending that might be hoped for. This is not the Pamuk novel I would recommend starting with, but I came away with a strange sense of fondness toward it, particularly in this regard: Pamuk creates three distinct characters that orbit the central plot of the story, but you only ever meet one, Galip. The other two exist, but exist off-stage. Further, I felt sadness because Galip loves Ruya very deeply, but the presentation makes it impossible to tell is Ruya reciprocates, and there is the haunting feeling that she does not. Whether that is true, we will never know. This is the sort of narration and craft I love Pamuk for, and I look forward to reading The Museum of Innocence next among his novels.
Paradise City, Archer Mayor
A thoroughly indulgent read on my part, Paradise City is a relatively recent (2012) installment in Mayor’s “Joe Gunthor” series of detective procedurals set in Vermont and New England. The books are fast-paced and engaging, and I feel a connection with them because Mayor evokes that part of the world, i.e. areas within several hours’ drive from the epicenter of Brattleboro, Vermont. The core characters, the dour, fair, human lead agent (former detective, now special agent with an agency called the VBI) Joe Gunthor and his two long-time colleagues Sammie Martens and Willy Kunkle, a couple with a child. Sammi is hard-nosed and capable, Willy is a one-armed, PTSD-survivor, former-alcoholic and wildly unorthodox cop. Along with other regular cast members, they are on the case.
The plot of Paradise City is that there is a human trafficking operation and stolen jewelry fencing operation going on somewhere in Western Massachusetts, which brings events in Boston and events in Brattleboro into a collision course. That is not really the reason to read the story, though. The series has a long-standing cast that has aged and progressed as time has moved on. The specific procedural element is just the trapping for a more human and humane story about these characters who the reader (if you’ve been reading them long enough) come to care for and enjoy spending time with. Paradise City was satisfactory along those lines, but not nearly my favorite. For new readers, I would recommend starting either at the start of the series or with Fruits of the Poisonous Tree or, my favorite, The Dark Root. Mayor introduces all the characters anew so that it is possible to follow along, but since I enjoy the characters more than the stories themselves, usually, it is better to see them in their younger years.
The Slow Regard of Silent Things, Pat Rothfuss
Set in the same world as Rothfuss’ Kingkiller Chronicles, Slow Regard tells a brief (to the extent epic fantasy authors can be brief) story about one of the side characters in the main series, Auri. The author’s note at the beginning says that this might not be the story you want. It doesn’t advance the main plot, doesn’t have dialogue, and doesn’t have much besides the daily life of a woman of indeterminate age whose experiences with magic have given her great insight into the nature of the world, but also broken her a little bit inside. There is a haunting beauty in this story and I was reminded of Gaimon’s The Ocean at the End of the Lane in that it is not a traditional story, but a powerful one nonetheless. In particular, I appreciated the presentation of Auri has immensely capable and insightful, but also in a constant battle with anxiety as a way of keeping the world at its rights. I like Rothfuss’ writing and while I eagerly await the third book in The Kingkiller Chronicles, I will also read whatever it is he wants to give me while he gets the book right, as it were. It is best to do things the right way and in the proper time, as Auri would put it.
If I get my way, which is unlikely, February will be a more successful month of reading. I am currently in the middle of Christopher Priest’s Inverted World, a 1974 science fiction novel about a city on tracks that moves around the world in order to stay close to “the optimum,” and am enjoying it a lot. After that will probably be Atiq Rahimi’s A Curse on Dostoevsky.