The End of All Things is the most recent installment of John Scalzi’s Old Man’s War series. Like it’s predecessor, The Human Division, The End of All Things was released in serial form, with each episode advancing the overall plot, while introducing new viewpoint characters. Like Scalzi’s other work, the book features snappy, sarcastic, and often exasperated dialogue, with a smart and sympathetic overall tone. The End of All Things is not my favorite book in the series, which, at some level seems to be running its course since the novelty of the original premise has grown old, but it nonetheless remains a worthy read.
At the conclusion of The Human Division Earth has been separated from the Colonial Union and is now hung between the CU and The Conclave, an alliance of alien species, many of whom hate all humans. The governments of Earth are convinced, and not without reason, that the CU is responsible for attacking them, but, in fact, the real perpetrators are a shadowy organization known as Equilibrium whose goal is to destroy The Conclave and, if possible, the Colonial Union. It is a race against time for scrappy misfits to stop an all-out war, prevent the genocide of the human race, and, in the process, save the Colonial Union from itself.
One of the things I enjoyed about The End of All Things (despite the opinion that the title, which is also a repeated line in the book, is a little too cute) is that its action-and-ingenuity form is set against a thoughtful discussion of politics wherein there are three camps: keep things the way they are, blow everything up, and aggressively pursue a more structurally sound system. The heroes are in the last camp. Moreover, Scalzi does a notably good job of building a diverse cast of characters who take on important roles, regardless of their gender, without coming across like he is preaching about these virtues. I add this last point because I find it somewhat ironic given his online reputation and also because some other science fiction and fantasy books have sometimes come across as moralistic, though, admittedly, generally within the strictures of their plots.
I have given a brief synopsis and a brief explanation of what I liked about The End of All Things, but want to conclude with some further thoughts about serialization and series. The End of All Things is the sixth book in this series, but unlike a lot of long genre series it doesn’t seem to be building to a single “last battle” or comparable event. If I recall correctly, I have put down every book thinking that a) there was a satisfactory conclusion and b) events outside that particular arc continued, whether or not they were even put down in a publication. This is not an easy task to accomplish.
Each new book picks up the grand plot of the series and features some of the same characters, but doesn’t simply perpetuate itself by finding some new skill for the protagonist to have or by needing to pick up from an incomplete story. Instead, each new book has a new angle or has a new perspective—-and the same holds true for each installment of the serialized books, with the final resolution coming at the end of the final installment. What I find interesting about this approach is that it avoids some of the pitfalls of long-running series that sometimes feel like they are coming apart at the seams because the author keeps introducing new viewpoint characters. Scalzi introduces new viewpoints, but usually because the other viewpoints are not likely to return.
As noted above, I liked The End of All Things, but it concludes at a very nice pause point for that particular universe and I am excited to see what Scalzi puts out next.
Next up, I am reading Wicked River by Lee Sandlin and will probably open Orhan Pamuk’s The Silent House later today.