Authorial Voice

Confession time: my biggest challenge as a writer is voice. As in, how does one develop an authorial voice? What distinguishes voice? A second challenge is beginnings, though I suspect that the two are related. In both cases I can recognize both when I read them, but, despite writing for school my entire life, writing here for a decade, and having several publications, I struggle with both.

The issue of voice has been on my mind recently as I turn what little energy is left after the constant bombardment of radiation from the summer sun back to academic writing. On the docket are conference abstracts, articles, a book review, and turning my dissertation into a book manuscript.

If there was one overriding comment during my dissertation defense, it was that the project often lacked for authorial voice. As it was put at one point, there was an impressive quantity and quality of the bricks used in building the structure, but it was lacking voice that forms the mortar.

(A separate issue that contributed to the lack of mortar was the absence of a linear argument in my dissertation, which was partly a quirk in the construction of my project that I am giving a lot of thought to in these revision stages.)

There are features of my writing that I think distinguish it, most notably by an overwriting that I can never quite escape. I try, not often successfully, to write the way that I talk, with the primary difference being to iron out some of the grammatical inconsistencies. I would like to push myself in this direction somewhat further, though, since I am sometimes frustrated with pithy, succinct turns of phrase when in a verbal flow that I can only reproduce on the page in overwrought parody. As an aside, this is why I think that my academic writing is frequently improved when I am able to talk through problems in articulating my argument.

I also have a tendency to imitate the books I read; after all, you are what you read. (To a lesser extent, this could be extended to the words one hears by way of podcasts, etc.) Once, in high school, a friend told me that I “write like a historian” (he did not mean it as a compliment, necessarily), but you can see this tendency particularly when I do a pale mimicry of David Foster Wallace’s style in my blog posts. Usually, those come close on the heels when of my having read a lot of his work, but I also found myself reflecting on this issue while reading Glen Weldon’s The Caped Crusade, which has an impressively flamboyant voice. Imitation is going to be inevitable at some level, and I sometimes use it to experiment with different styles of non-fiction, but it is still something that I need to be wary of, particularly when it comes to extreme fluctuation.

Thinking about writing in these terms, of course, probably isn’t helping things. When I do, I get particularly self-conscious so I become paralyzed about posting on social media because every word in a piece of writing has to be perfect.

Some blog entries are hammered out in less than an hour and posted straightaway, either because the medium can tend toward the informal and unpolished or because it is for capturing a single, relatively complete thought. Others, including this one, are developed over the course of several days or weeks, being built, edited, compressed, and polished. In actual working time, these posts do not necessarily take much longer than ones written in a single sitting, but the extra time gives the ideas room to breath, at least in theory. Here, my reflection is that perhaps what I ought to be working on is revision, on the level of clause, sentence, paragraph, and chapter because while authorial voice is going to come first from the process of writing, it is honed and polished in these later stages of a writing project. Maybe it shouldn’t be a surprise that I am better at editing for content than for style.

At some level, though, I already know what is going to happen. I am going to fret about voice, but never come to a resolution. Instead, I will simply keep writing until the issue of voice fades into the background. Maybe I will find something clearer and more robust, either in initial drafts or in edits, maybe I won’t, but the more important thing is that I will keep putting words on the page.

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