Before I ever considered the possibility that I could become a historian, I played games. This is a normal progression for a young person, and being someone who already loved history, I naturally gravitated to historically themed games, including fighting games like Dynasty Warriors (Three Kingdoms era China) and the Age of Empires series. I still enjoy both of those sets of games, but in more recent ages, I have particularly come to like civilization building games like Europa Universalis and, of course the Civilization series. Earlier this week I was looking through online forums and other resources to satisfy my curiosity about how the series portrays Greece—the topic of a future post, in all likelihood—and stumbled across an online emulator of the original Civ game. Naturally, I gave it go.
The opening sequence to the original Civilization game is ripe fodder for think pieces.
— Joshua Nudell (@jpnudell) July 20, 2017
The title sequence starts in space, panning into the galaxy. Starting a new game picks up where the title leaves off, this time centering on the earth, which the player watches evolve. Over the top is narration:
In the beginning, the Earth was without form, and void.
But the Sun shone upon the sleeping Earth and deep inside the brittle crust massive forces waited to be unleashed.
The seas parted and great continents were formed. The continents shifted, mountains arose. Earthquakes spawned massive tidal waves. Volcanoes erupted and spewed forth fiery lava and charged the atmosphere with strange gases.
Into this swirling maelstrom of Fire and Air and Water the first stirrings of Life appeared: tiny organisms, cells, and amoeba, clinging to tiny sheltered habitats.
But the seeds of Life grew, and strengthened, and spread, and diversified, and prospered, and soon every continent and climate teemed with Life.
And with Life came instinct, and specialization, natural selection, Reptiles, Dinosaurs, and Mammals and finally there evolved a species known as Man and there appeared the first faint glimmers of Intelligence.
The fruits of intelligence were many: fire, tools, and weapons, the hunt, farming, and the sharing of food, the family, the village, and the tribe. Now it required but one more ingredient: a great Leader to unite the quarreling tribes to harness the power of the land to build a legacy that would stand the test of time:
Most of the conversations I’ve had about Civilization style games have revolved around their vision of history. In short, technology trees promote history as linear, progressive, teleological, despite also serving as a way for the designers to balance game-play. While acknowledging that game balance is a) difficult to attain, and b) critical to a game’s success, this presentation of history is open to criticism. Again, this is a topic for another time. Here I am taken by this opening conceit of Sid Meier’s Civilization series.
The sequence actually begins before the earth is formed. The game asserts that there is potential—seemingly for its exploitation by humans, the “intelligent” race. There is a slight concession to the improbabilities of evolution, but accepts humans as fait accompli. After all, this is a game about CIVILIZATION.
It is in the home stretch of the opening sequence that the assertions become more interesting. Society, it tells us, is not a civilization. The former involves people living together for survival, but the latter is something constructed in historical memory out of bricks of literature, written history, and monuments. (Civilization generally forces players to spend time creating technologies for farming and hunting, but never mind that.) This is yet another way that the games prioritize settled societies over nomadic ones, to go along with, for example, barbarians that spawn in territory that doesn’t belong to civilizations.
But then the kicker: none of this, not unity, not the legacy of civilization, not progress, is possible without the guiding hand of a great person (man, usually). Once again, this may be dismissed as a quirk of design in that the leader functionally has no role in game-play. And yet, Civilization sets an individual as the paragon who makes slight modifications of the rules and sets the character of the civilization. Famously, the original settings had passivity and aggression on a loop, so when Gandhi, who had the lowest starting level, became more peaceful he would become hyper-aggressive and India would start slinging nuclear warheads at all available targets. It is compelling game design, to put famous individuals as national characters, despite its manipulation of history just as much as does the equation of nations and “civilizations.” To pick up the Gandhi example again, he is a figure from the creation modern India, while the vast majority of “Indians” would no doubt be horrified to learn that their national character is pacifistic on account of him.
Civilization is a game. I am sure that some people are introduced to history through it and its ilk, but this does not necessarily mean that it need be scrutinized and held to task for historical accuracy. But it is also true that the series takes a rhetorical position with respect to the nature of civilization and the historical processes that create it, in this case before the game has even begun.