One of the consequences of growing older and becoming busier is that I don’t have the same impulse to stay up all night reading books, even ones that I really enjoy. For the most part that is a phenomenon of my past, but every once in awhile there is a book that makes me want to read straight through in one sitting. This is one such book. I restrained myself, parsing out chapters as a reward for getting enough work done on weekdays, but I wanted to start with this introduction in order to cut right to the chase: the The Fifth Season is spectacularly good and the first book in a series that has won back-to-back Hugo awards for best Sci-Fi/Fantasy novel.
Appropriately for its title, The Fifth Season starts with an end. A deep, fiery, man-made rift opens in the planet’s single continent, the Stillness, spewing ash and starting destructive earthquakes. Like in all fifth seasons, apocalypse-level cataclysms, society crumbles and people die while clinging desperately to the advice preserved in Stone Lore. All the while, obelisks drift through the sky above the stillness.
The Fifth Season rotates between three viewpoints, each following a woman at a different stage of life: Damaya, in her youth, Semnite, as an upwardly mobile professional, and Essun (referred to as “you”) as a middle aged woman chasing her husband through the apocalypse because he killed their son and absconded with their daughter. Each narrative revolves around the issue of orogeny, a hereditary magical ability that allows the wielder to to harness the kinetic energy of the earth in order to quell or incite geological material and activity. This power, which manifests at an early age, is commonly received with superstition and fear, with the wielders killed by angry crowds unless they are swept up by the Imperial Fulcrum, a training program where they can be controlled and protected by the Guardians.
Thus Damaya is swept into this system and exposed to its benefits and horrors, but often finds that her questions about the Fulcrum’s secrets go unanswered. Semnite, by contrast, is a fast-rising “four-ringer” Imperial Orogene and is now authorized to operate in the world on her own, and is dispatched with the prodigy ten-ringer Alabaster to clear a harbor of coral. Her mission is simple on the surface, but the subtext is that she is required to have a child with Alabaster who, in turn, teaches her about orogeny and the true nature of the Fulcrum. Essun, finally, experiences orogeny in the world when her husband kills their child upon finding out this secret.
The three narratives draw together as the book progresses, both serving a larger plot and remaining distinct stories in their own right.
Despite the breadth of the time and space covered by The Fifth Season (the attention to the scale of the continent was refreshing), the cast of characters remained relatively small, which allowed room to explore them in some depth. Jemisin likewise builds depth into the world, both with ruins of civilizations destroyed by fifth seasons past forming the bones of the continents and with an attention to the variety of racial features that set the different people apart.
Society on the Stillness is in the twilight years of an empire that dominated large swathes of the continent through its control of orogenes because this allowed much of its territory to remain stable while technology was developed. Its rule is not what it once was and most outlying comms (communities) are not directly subject to central power the way they once were. But being subject to an empire for so long has left its mark in most communities such that they are organized along similar lines. Each person has a name, the comm they are attached to (particularly important in times of crisis), and their use-cast, such as “leader,” “innovator,” or “strongback.” During a Fifth Season many of these distinctions no longer matter, but they also serve as a mark of normalcy. Center and periphery alike are adhere to Stone Lore, the advice literally carved in stone about how to survive cataclysms that is supposed to be immutable. This convention, however, need not actually be the case.
I’ve enjoyed the other books of Jemisin’s that I have read, but in The Fifth Season she takes the combination of worldbuilding, prose style, and storytelling to a new level. I cannot recommend this book enough and am greatly anticipating its sequel, The Obelisk Gate.
I am continuing with my streak of reading books by women, so, next up I am reading Ursula K. Le Guin’s Hugo-winning novel The Word for World is Forest.
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