The Interdependency has existed for a millennium, ruled from Hub by the House of Wu, whose monopoly on military equipment and strategic location enables it to control access and charge demand tariffs on commerce. Hub is so named because it is the nexus of “the flow,” a poorly understood phenomenon that allows (in relative terms) rapid transportation between the far-flung systems that humans occupied after leaving earth. The stability of the flow has allowed the the development of the Intedependency, an artificial social system of family-based monopolistic guilds, the church, and parliament, all headed by the Emperox. By design, no part of this system can exist on its own, as the new Emperox Cardenia learns soon after her accession, but that does not stop the ambitions of the Interdependency power players.
At the heart of events is the Nohamapetan family, which has aspirations to a marriage with the royal family and designs on End, the most isolated planet occupied by humans and one consistently beset by rebellions. The question is why.
Caught up in the conspiracy are two additional families, Claremont and Lagos. The latter is logical enough in that Lagos is a major trading family and rival of the Nohamapetans, and so a natural target. Claremont, on the other hand, is a minor imperial representative on End, sent away from the center of politics decade ago for reasons that were never made public. Jamies Claremont is not, however, a mere bean counter, but a flow physicist working on a secret project: his models predict that the flow, the very foundation of the Interdependency, is collapsing, or at least access to it is. With his model finally complete, he decides to dispatch his son Marce on what may be the last ship out, represented by Kiva Lagos, to deliver the report in person.
The Collapsing Empire consists of two interlocking threads. The first is the story of the political intrigues of the Nohamapetan clan; the second and more significant one is the race against the impending disaster that will end human life as it is currently known and could end human life altogether. The second thread gives the book a sense of urgency, but remains ultimately unresolved.
The Collapsing Empire is in some ways vintage Scalzi. It is irreverent, with plenty of sex and cursing, thoughtful social and scientific constructions and quickly moving plots. In other ways, it represents the next step in his evolution as a writer. First, its four groups of characters mean that variously intersect mean that the book is the most complex narratives of his that I have yet read. Second, while Scalzi’s characters have always been fun with their snappy dialogue, the characters in The Collapsing Empire struck me as more mature. Not in the vocabulary, but more well-rounded on the one hand, and more varied in their motivations and personalities. (By his own admission, these were some of his favorite characters, too.) While Scalzi also hints at deep insights about humanity in how the Interdependency will be forced to adapt, those issues are put on hold while people resist the inevitable changes to come.
Scalzi’s appeal, and one that he fulfills in The Collapsing Empire, is a witty, fast-paced science fiction adventure. The optimistic potential of human society, tempered as it is by ambition and greed, and political resonances are just a bonus.
I recently finished reading a collection of Camus’ essays. I’m not going to do a full write-up, but I like his lyricism and his aspirations to investigate the meaning of life. He is well-worth reading. Now I’m reading Nancy Isenberg’s White Trash, which demonstrates how poverty has been articulated as a foundational sin in US history.