ChatGPT, Again

I had no intention of returning to the ChatGPT discourse. I said my piece back in December and the conversation seemed to take a histrionic turn around the start of the semester when the course planning period coincided with a wave of op eds that treated AI-writing as an existential crisis.

Moral panics turn tedious in a hurry and I bore easily.

Happily, I think that the discussion is starting to move into a more compelling and, I hope nuanced, direction. In his column at Inside Higher Ed last week, for instance, Matt Reed suggested that there are two issues at play with AI-generated writing. The one, academic dishonesty and how to catch it, receives the bulk of the attention. The other, disinformation and inaccuracies, has to this point received much less attention. In other words, the practical considerations about the norms, expectations, and enforcement of academic transactions are taking precedence over the underlying principles. This sort of priority of course makes sense, as anyone who has worked within the institutions of higher education can tell you, but I also think that it misses that these two issues are inextricably intertwined.

Simply put, I am convinced that ChatGPT specifically, and AI more generally, is a digital and information literacy issue.

Now, I should acknowledge that the stakes involved are more profound outside of the semi-controlled academic context, and at least potentially herald fundamental disruption to existing economic models. Google, for instance, is reportedly treating the chatbot like an existential threat to their hegemony over access to information online. Likewise, AI-generated art is just the latest technology that will allow companies to cut labor costs—why pay artists to create cover-art for a book when you can have an intern churn out AI-generated images until you find one you like? As much as I maintain that AI is a tool and the person producing the art is an artist, companies are not likely to compensate the artist as such under these scenarios. But while both of these are ethical issues related to my point about digital literacy, neither are they wholly new.

When it comes to writing, AI is a tool, and tools are only as good as their users. A spell-Czech [sic] doesn’t provide any value if one doesn’t have the vocabulary to recognize when it misleads, just as gratuitous use a thesaurus can lead the writer astray. Predictive text is fine for email, but I find it distracting in other contexts because the program prompts me down particular lines of composition. And, as I put in the last post on this topic, citation generators will lead you astray if you are unwilling or unable to format the text that it generates.

In this sense, the danger with AI is that people are going to treat a tool for something as a replacement for that thing. But this does not constitute either an existential crisis or a fundamental disruption, despite groups of people treating it as one or the other.

There are a myriad reason that a student might submit an AI-generated essay. Most of these overlap with the reasons a student might purchase an essay or otherwise cheat on assignments, and need to be addressed as such. However, AI should give educators greater pause because, compared to the other forms of dishonesty, AI might give the impression to some students that they don’t need to learn the skill in the first place. Chatbots can give the appearance of engaging with a historical figure, but they do not actually let you converse with that person any more than the Metaverse can allow you to watch Mark Antony debate in Rome in 32 BCE. But that superficial engagement risks drawing people away from the actual substance that would allow the participant to see how the AI turns unredeemed racists into apologists for their heinous beliefs or to recognize that seeing Antony debate in Rome in 32 BCE would be quite a feat because he was in Egypt gearing up for war with Octavian at that time.

On a whim, I decided to ask ChatGPT why students should avoid using the AI to write papers. This was what it produced:

I followed that prompt with a question about whether AI could help students with their writing:

I received a slightly more enthusiastic response when I directly inverted the original prompt, but still as a tool that can make writing easier or more efficient. At my most cantankerous, I dislike several of these uses—text summarization assumes one viable reading that simply isn’t true, which is also my problem with services like Blinkist, and I think that text generation will create pathways that guide how the person writes and thinks about a topic—but I could make similar arguments for writing being shaped by whatever we’re reading and simple reliance on the the first definition of a word found in a dictionary. As I said in my original post, if someone were to use AI as a tool and produce a quality paper either without any further intervention or by editing and polishing the text until it met the standards, that paper would meet my criteria for what I want my students to achieve in the class. This process would not be my preference, but the student would have guided the program through numerous rounds of revision much as they would draft and re-draft any paper that they wrote themselves. So much so that it would be easier to just write the paper, in fact. I doubt that a truly revolutionary thesis could be developed that way, but the student would have demonstrated their mastery of the course material and a sensitive understanding of the writing practices to know that it met standards on my rubric—grammar might be easier to accomplish, but the other categories not so much.

In fact, the arrival of AI makes it all the more important for students to learn skills like reading, writing, and, especially in my discipline, historical literacy. To do this, though, I think it is a mistake to issue blanket prohibitions or build assessment as though it does not exist. Rather, I want students to understand both why AI is not a great choice and what its limitations are, which requires steering into AI, at least a little bit.

This semester I am planning two types of activities, both of which are similar to the suggestions made in an opinion piece published today in Inside Higher Ed.

I scheduled a week for my first year seminar to address their first big writing assignment. The students have no reading this week, during which they will be working on their drafts of their first paper that are due on Friday. In the two class periods earlier in the week, I am going to have them complete an exercise using ChatGPT in their groups for the semester. On Monday, the students will work with ChatGPT to produce papers about the readings that we have covered to this point in the class, sharing with the me the results of the exercise. Then they will be charged with offering a critical evaluation of the generated text, which we will spend time on Wednesday sharing and discussing the critiques with the class, which will segue into a discussion of what makes writing “good.”

Students in my upper-division courses will do a similar exercise. As their first essays approach, I am going to provide students essays produced by ChatGPT using the same prompts and my essay rubric. Their task will be to “mark” the ChatGPT.

The goal is the same in both cases: to remind students that AI has severe limitations that cannot replace their unique thoughts. Further, I aim to engage the students as both writers and editors since I see the latter skill as an essential part of the writing process.

I don’t want suggest a prescriptive advice in this given that my class sizes and teaching mandates allow me to pursue some of these options. But the ChatGPT discourse has made even more convinced that it is necessary to teach basic, foundational, transferrable skills that will empower students to engage responsibly with the world in which they live.

Weekly Varia no. 11, 01/28/23

This was one of those weeks when it felt as though I got nothing done. Everything takes too much time, and then I am pulled in too many directions at once. This is the story of most semesters, if I’m being honest. So I didn’t manage to finish either my academic book for the week or any of the four draft posts in various stages of completion for this site, and I am trying to resist adding anything else to my plate. At this point I would like to focus on making more time for the things that I’m already doing. After all, as Oliver Burkemann argued in Six Thousand Weeks and the late Randy Pausch talks about in his time management lecture, our time is finite so we should pay more attention to how we spend it. Squeezing every last ounce of efficiency or sacrificing sleep (as I have done in the past) on the altar of rat race culture is both not sustainable and means enjoying life less in the meantime.

Admittedly, I am very bad at this. I have too many interests and a bad habit of saying yes to things before considering how much time they will take, but I now recognize this as an issue. I have more thoughts on these issues and their intersection with academic hobbies and living to work, but I’ll save them for a subsequent post. For now, just a range of links from the week.

This week’s varia:

Album of the week: Amanda Shires, My Piece of Land

Currently Reading: Brandon Sanderson, Tress of the Emerald Sea; Rabun Taylor, Roman Builders

Weekly Varia no. 10, 01/21/23

The first week of the semester is in the books. All three of my classes have gotten off to pretty good starts, but I always forget how exhausting the first week of the semester can be. My to-do list has bloomed (more algae than roses, though) heading into this weekend, so this weekend will be spent slowly working through tasks that range from some administrative upkeep to shorting up soft spots in my reading lists to the first round of grading, lest the semester snowball out of control.

This week’s varia:

  • Daniel Bessner has a good opinion piece in the Times about the perilous state of history. He points out that “deprofessionalization” of the field creates the breeding grounds for ” the ahistoric ignorance upon which reaction relies” because so much “history” is placed in the hands of social media influencers and influential partisan actors like Bill O’Reilly.
  • ChatGPT roundups are just a thing, I guess.
  • The Missouri legislature is currently debating a bunch of CRT-in-education bills. One proposed bill ensures that nobody will be offering kindergartners classes in CRT, a field of study usually reserved for law schools and advanced sociology degrees. I say, why are parents trying to stop their kids from being pushed ahead? More seriously, this is a continuation of last year’s cultural war du jour that treats any sort of training on issues of diversity, equity and inclusion as nefarious CRT and legislates feelings in a way that puts teachers in an impossible position, which is why one proponent of the bill simply refused to define what he meant by it. These sorts of debates only hurt education, but what bothers me most about the committee meeting is the hostility toward education and educators. When a poll revealed that only one school district claimed they taught a class on these issues, the committee chair’s response was “at least one school district was honest.”
  • The Washington Post has a profile of Matt Yglesias, looking at his career as a disrupter, contrarian, and public thinker. Personally, I find Yglesias to be a problematic figure whose primary claim as someone who can spin a plausible argument out of minimal evidence is as symptomatic of where we are as a society as is Donald Trump. Every once in a while he makes a worthwhile point, but, most of the time, he’s functionally firing hot takes that get treated as something more substantial.
  • The re-election campaign for Chicago Mayor Lori Lightfoot, who appoints the Chicago school superintendent, sent email to schoolteachers asking that they encourage students to work for the campaign in exchange for school credit. This very likely violates ethics rules—especially since there credible (it’s Chicago) accusations of retaliation from the mayor. Students volunteering for campaigns for credit is nothing new, but teachers are not supposed to encourage participation in specific campaigns.
  • The Oversight Board at Meta, which oversees content decisions for both Facebook and Instagram, has told the company that it should “free the nipple” (so to speak). What this will look like is yet to be determined since the company is still likely to want to keep pornography off the platforms, which was the genesis of the policy.
  • A Republican candidate for office in New Mexico has been arrested as the mastermind of a string of shootings that targeted Democratic politicians in the state. The man had to overcome a legal challenge to even stay in the election given his prior felony conviction and, unsurprisingly, he claims that the election was stolen from him.
  • An Indiana woman repeatedly stabbed an 18-year-old student in Indiana University of Asian heritage. The suspect told police that it “would be one less person to blow up our country.”
  • The Kansas City Defender, a black news outlet, reported on the abduction of black women in Kansas City, but the KC police department dismissed the allegations. Then, in December, a woman escaped captivity. Capital B News has an interview with Ryan Sorrell, the founder of the KC Defender, about the story and his efforts to create a crowd-sourced Black missing persons database.
  • Ohio officially declared natural gas “green energy.” The Washington Post has an article on how the campaign ran on Dark Money. Because, of course it did.
  • Americans might be done with the pandemic, but the pandemic is not done with us. Also from the Washington Post, winter COVID surges are a new normal, adding to the typical surges in other respiratory illnesses.
  • Jacinda Ardern is stepping down as Prime Minister of New Zealand, saying that she doesn’t have “enough in the tank” to do the job any longer. While this decision coincides with an uptick in threats against her, I am struck by a politician having the unusual level of self-awareness to know when enough is enough and the combination of humility and privilege to be able to act on that knowledge.
  • Vulture has a good piece on the labor conditions in Hollywood’s VFX studios where the industry standards were developed before the current age of enormous amounts of work after filming, which is leading to systemic understaffing and underpaying made worse by Marvel being a Goliath in the industry.
  • “Marge vs the Monorail” aired thirty years ago this month. Alan Siegel at The Ringer got Conan O’Brien to talk about his idea for the episode as a cross between The Music Man and an Irwin Allen disaster film.

Album of the Week: Counting Crows, This Desert Life

Currently Reading: Marissa R. Moss, Her Country; Rabun M. Taylor, Roman Builders

Some additional information about my first book

Hello, again, bolded alter-ago.

I saw online that you received a physical copy of your book!

Right to the point, I see. A pre-print copy arrived with some other book deliveries yesterday. It was quite a surprise.

You promised me news! And here you are just Tweeting it out. What do you think your name is, Donald, or something?

Not a chance. What would you like me to start with?

I didn’t expect you to be so accommodating. How about the title?

I could give you the title, but what about if I show you the cover at the same time?

Fine.

Pretty. How do I get it?

The book is available for pre-order on the University of Michigan Press website. The book is scheduled for release in March and an electronic book will be available at or around the same time.

Since this is an academic book, I assume that this will cost me an arm, a leg, a kidney, and the deed to my firstborn child. Did I get that right?

Do children come with deeds?

You know what I mean.

I do. This is perhaps the most exciting piece of news. The book will be coming out with University of Michigan Press as a hard cover volume at their normal price point (about $75), but I was offered an option for my book to be included in a new open-access program. The book will still be found in the catalog and available for purchase, but, in effect, I agreed to forgo a paperback version of the book and instead make the e-book open-access.

So you volunteered to sell fewer books. Why?

A few reasons. First, there is very little chance that this book will sell enough to earn me meaningful royalties, with or without a paperback run. I tried to write my book to be approachable and hope that it sells well for an academic book, but I read the contract and am under no illusions that academic publishing will make me rich. Second, open access makes it possible for more people to read my work and that could, at least in theory, open more doors for me. The third reason is more philosophical. I have benefited enormously from scholars and organizations that make their work available for free. I am always looking for opportunities to pay that forward by publishing open access work where I can, even if I generally haven’t been successful with my articles. Given this opportunity, I took it.

Very noble of you.

It is also practical. I have reservations about the sustainability of open-access publishing over the long term and it is not going to resolve the issues of a crumbling higher-ed infrastructure for the humanities and social sciences, but I’m also intimately familiar with the many difficulties that come with publishing as a contingent faculty member. If making my work open access makes the life of any contingent scholar or graduate student a little easier, then it’ll have been worth it.

When I tentatively raised my concerns about sustainability, my editor told me to have that conversation about my next book. Her answer didn’t really assuage my concerns, but I guess I’ll need to write another book.

So, how’s the next book coming?

Patience. I have a few book projects in mind that I am starting to work on, but each of them is likely multiple years out at this point.

Slacker.

Call it what you will. Book writing takes time under the best circumstances and I am one of many professors who don’t receive research leave. I will likely write more books because I want to write more books—in fact, I already have outlines for three more history books and a novel. But what I write and how quickly will depend enormously on how the other parts of my career develop over the next few years.

I’m excited to be moving on to new work after spending the better part of a decade with this one, I’m also going to enjoy seeing this book out in the world.

First Day Fragments: Spring 2023

I usually do “first day fragments” to mark the start of the fall semester, but here on the first day of the spring term I find that I also have a few topics rattling around that are also worth exploring. Only time will tell whether this is a one-off or a new spring-semester routine.

Course design is an exercise in omission. And the more of a survey the course is designed to be, the more this truism cuts close to the truth. This has been on my mind over the last week while preparing for the upcoming semester. Even before the pandemic I had begun adopting a “less is more” mantra in the classroom, and doubling down on core questions and fundamental skills. But I also like big and open-ended questions, both to structure the course and to set as assignment prompts.

This semester I will be teaching upper-division survey courses on Ancient Rome (Romulus to Romulus Augustulus, in theory), Ancient Persia (Achaemenid to Sassanid), and then a first-year seminar on speculative fiction. Enormous topics, all.

Adding material to these courses is the easy part. It would be easy, for instance, to have the students read Beowulf and Le Morte d’Arthur, skip forward to Lord of the Rings, and then do something contemporary. Or just watch the movies. Or I could have decided that we’re going to do an entire course on the thousands of pages in Ken Liu’s Dandelion Dynasty novels. But neither of these options fit with my objectives for the course.

The challenge is finding the right balance. The entire extent of Tolkien that we are going to read will be “On Hobbits” and two short pieces of commentary about Rings of Power. We’ll read Ken Liu’s brilliant short story “Paper Menagerie,” but nothing from his longer works. Ditto for N.K. Jemisin’s “The Ones Who Stay and Fight,” which I’m using both as a counterpoint to Le Guin’s “The Ones Who Walk Away From Omelas” and and as a way to close the semester on a note of optimism after an emotionally challenging set of readings.

ΔΔΔ

All three of my courses this semester are new preps. This is a double-edged sword.

On the one hand, new preps make for a lot of work. They require compiling materials as you go through the semester, writing presentation slides, and deciding on how you want to present the material, even when approaching topics that you know well. Some of the activities are going to flop, or maybe the scope of the course needs to be changed. The course wobbles a little, because it has not yet settled into its foundations. A graduate school professor told me once that he believes a course only reaches its mature form in its third iteration.

On the other hand, I sometimes find that certain in-class activities and readings work best the first time I assign them. This is in part because I am forced to spend more time with the readings and preparing the activities, which means that everything is fresher, but I also find something magic in the thrill of invention. The second and third time through I can adjust to how the students experienced the assignment, but this comes at a cost when the assignment becomes somewhat calcified or the pathways that the course discussion become a little more worn in.

ΔΔΔ

People have been talking on Twitter about when professors have an obligation to post the syllabus. My only thought is that the syllabus will go up when it is ready and the course website is minimally ready for use, usually a day or two before the semester starts. I’m happy to answer questions even when the syllabus is in the design phase, but there are a myriad of reasons why it is good to take right up until the last minute making changes even if the basic structure has been set for weeks.

ΔΔΔ

Most of my courses are what my university calls “Writing Enhanced,” which means that they fulfill the standards of that program—emphasis on product, cognition, and process. Nearly twenty years ago when I was an undergraduate student, a writing-enhanced course required a certain number of pages, some of which had to be revised, but my guidance here is more flexible. I have another course design post (yes, I know that this is turning into a teaching-heavy blog) in mind for the near future that engages with the models we use when designing new courses, but, every semester, I have a momentary pang of concern that I’m not having my students write enough. For instance, I have never assigned a long 15–20+ page final paper. Instead, my students write multiple shorter papers (5–7 page) that they revise to a high standard, with the thinking that learning to polish a concise argument in a short paper is a prerequisite for writing a good longer paper when taking research classes. Besides, even without a long research paper to conclude the semester, my students write a lot. By my rough tally, I find that many of my students write nearly twice as much as I did for any class I took as an undergraduate student. Which then sends a flare of concern in the other direction: how much writing is too much?

ΔΔΔ

I wrote about Chat-GPT last semester and stand by everything I wrote there. But the new semester has brought out another round of hand-wringing and panic about how this tool means for higher education. This semester I’ll be leaning into AI writing in some classes with an “AI-essay critique” exercise and otherwise just incorporating it into the conversations we have when we talk about writing. But as the topic du jour, I’m bored by the conversation now. Moral panics turn tedious in a hurry.

Weekly Varia no. 9, 01/14/23

The last few days before the start of a semester exist in a strange state of limbo. On the one hand, these are days free from the rat race of the semester. On the other, they are also the last opportunity to prepare syllabuses and other course materials that brim with an exhilarating cocktail of potential and uncertainty.

I am feeling this state more than usual this semester because of how the last semester ended. I have been thinking about my course policies since in the middle of last semester and pecking away at my syllabuses for weeks, but these documents were nowhere near ready for distribution. Then, on Monday, we learned that one of my colleagues won’t be able to teach this semester. This development had little bearing on my classes other than to fill up my last few open seats, but there was also a suggestion that I might be asked to pick up an online US history survey either in the place of or on top of my other courses. More than the challenge of planning and deploying an online asynchronous class in a week, what I struggled with this week was the uncertainty around which courses I needed to be preparing.

My course list did not change, in the end, and I returned to the syllabuses I had at various states of completion. And to the more usual types of uncertainty: whether the course schedule will prove manageable, whether the readings I assigned will elicit the response I’m hoping for, and whether the tweaks to my course policies will work. Adding to this uncertainty is that I have an entirely new slate of courses, which offers both the struggle and the thrill of invention.

I don’t teach until Wednesday, though, so I’m spending this weekend and the first few days of next week putting all my ducks in a row.

This week’s varia:

Album of the week: Garth Brooks, “Ultimate Hits”

Currently Reading: Tochi Onyebuchi, Goliath; Uwe Ellerbrock, The Parthians

Bad Jews

I am a Bad Jew by many people’s standards. Other people would deny me even that, since I never had a bar mitzvah and have never belonged to a synagogue. I am only very slowly learning Hebrew. I’m mostly committed to holidays for the food and a loose sense of seasonality. This year for Chanukah I said a blessing lighting candles but decided that I didn’t want to say the others. In recent years I’ve found myself feeling a stronger pull toward my ancestry within the Eastern European Yiddish community than the Hebraic Zionism that I find problematic for its assimilationist obliteration of specific Jewish heritage before considering the actions of the state of Israel.

It was with this background that I read Emily Tamkin’s Bad Jews: A history of American Jewish Politics and Identities. For a history of Jewish people in the United States, the plural in “identities” is important, according to Emily Tamkin. Essential, in fact, because there has been a multiplicity of ways to be Jewish, so too is there a multiplicity of ways to be “Bad Jews,” in any number of respects deficient. Narratives and counter-narratives. Tamkin even includes in her introduction like the one I wrote above to explain how she might just be too bad a Jew to author this book, but perhaps that is just the point.

Bad Jews, which blends history, more than 150 interviews, and a streak of memoir, unfolds in chronologically, with each chapter constructed around two interlocking themes: what might prompt some Jews to characterize others as “Bad Jews” and how Jews fit into the broader patterns of American culture.

American Jewish history is a history, or a set of histories, of immigration and the subsequent oscillation between accepting and resisting acculturation.

While it is common to speak of Jews as a cohesive group, Tamkin invites readers to think otherwise down to the most fundamental levels. Ashkenazim from the Germany and Eastern Europe form the dominant image of what a Jewish person looks like in the United States (and have formed the majority of the population since 1730), but Tamkin notes that the earliest Jews to arrive here were Sephardim who arrived by way of the Iberian peninsula and, thus, early Synagogues followed Sephardic practices. This early arrival also inevitably entangled the Jewish community with slavery, both in terms of employing enslaved labor to construct their places of worship and owning enslaved people. She points out that the first Jewish person to hold a cabinet position was Judah P. Benjamin, a wealthy slave owner who became secretary of state of the Confederate States of America.

Tamkin weaves this same thread back in during the Civil Rights Movement when, in 1965, famously, the Jewish rabbi Abraham Joshua Heschel marched alongside Martin Luther King Jr. from Selma to Montgomery, Alabama. Many Jews are rightfully proud of this heritage and Tamkin cites polling form the 1950s that suggests that most Jews considered commitment to civil rights more essential for being a “Good Jew” than support for Israel. And yet, as a number of recent comments from Kanye West, Kyrie Irving, and other prominent African Americans indicate, there is also a longstanding frustration with, if not hostility in, this relationship. Tamkin builds from an analysis of James Baldwin’s essay “Negroes Are Antisemitic Because They Are Anti-White,” to identify the disconnect in that while Jewish allies of the movement emphasize the similarities in their place in American society, African Americans chaffed at the differences in lived experience when most Jews received the privileges of being white. In other words, it isn’t that Jews are not marginalized in essential ways in American society, but they also get to be the landlords.

In turn, this point again reinforces the tensions within the American Jewish community when it comes to Jews of color.

[Abraham Joshua Heschel and the Jews who participated in the civil rights movement are] American Jewish history, but…only a part of it. In the contemporary context, that means grappling with all of American Jewish history and with the various stances American Jews have chosen to take with respect to white supremacy. It also means that those who say that Jews aren’t white only to turn around and malign Jews who do not look white as not really being Jewish are only fooling themselves.

Race is a construct, but it is a construct with lived implications. And there are, in the United States, Jews who go through life as white. This is the majority of American Jews. If they—we—do not wish to be considered as complicit in white supremacy, a good place to start would be by not insisting that we’re more Jewish than Jews of color.

The issue of race stood out because of the current state of discourse in the United States and other books I have read in the past few years like Michael Twitty’s The Cooking Gene and Koshersoul, both of which address the intersection of his race and his Judaism, but it is only one example of the questions at the heart of Bad Jews. There is no one way to be a “Good Jew,” in Tamkin’s thesis, and thus there is a multiplicity of ways to be a “Bad Jew.” Moreover, these are contested definitions perpetually undergoing regeneration.

In many respects, the story that Tamkin tells about Jews parallels the evolution of the United States more broadly, and it is important to recognize those connections. However, “Jews” make for a compelling subject for thinking about the United States as a pluralistic polity because of the way that both mainstream Christian Americans and parts of the Jewish community have tried to articulate Jews as an eternal other, separate from and incompatible with the rest of the citizen body.

Bad Jews is not a book one can turn to for answers. That very idea is antithetical even to Tamkin’s project. Rather, this is a book that is designed to think with. I came into it with a strong sense of certain schisms within the broad Jewish community, but I quickly discovered that I had underestimated how deep and multifaceted these divisions were.

ΔΔΔ

This is the second in a backlog of books I read months ago that I still want to write about. Since I am currently re-reading several novels that I’m teaching with this semester, I might even “catch up” before the semester overtakes me too much.

Weekly varia no. 8, 01/07/23

I conceive of these introductions as a mini-essay covering something that happened in the week or some issue that I have been mulling over for the previous few days. For this week, I think a peek behind the curtain is in order.

These posts, which I started about two months ago, serve several functions. They force me to read a little more widely than I otherwise would do, while supplying a recommended reading list, allowing me to editorialize a little bit, and providing the flair of what I’m reading and listening to in a given week. I start compiling potential articles for the following week almost as soon as the previous one goes up on Saturday, putting them in a new draft. My goal is to find one thing to include each day, but, in reality, these posts reflect what I read that week. Sometimes that means more blog posts, sometimes more articles. Sometimes I get busy. I also don’t like just including the story du jour, especially when it is still unfolding.

And, sometimes, all of these things happen at once.

I am writing this introduction on Friday evening from a hotel room in New Orleans where several things are happening at once:

  1. Members of the House of Representatives are voting for the fourteenth time on who will be Speaker of the House, making this the fifth or sixth longest process in US History, and the longest since before the US Civil War (he did not win on this ballot, either).
  2. The contestants of the Miss Universe Pageant are wandering around the hotel in gowns and sashes, filming various things.
  3. The AIA-SCS annual meeting is taking place (I’m unwinding in my room rather than attending receptions).

To say that this week has been distracting is an understatement. I have written about this conference in the past, and will do so again next week as part of getting back to business as usual if I find that I have something worth saying once I’ve had a chance to collect my thoughts.

This week’s varia:

  • Pro Publica has a new report on professors muzzling their courses or scrambling to change the class descriptions (which often are designed with the intention of attracting students) in the wake of DeSantis’ new rules in Florida. These laws are designed to curtail academic speech and impede education. In an entirely unsurprising detail, tenured faculty in some schools are pushing the risky classes off on contingent faculty. I get that this is a risky political climate, but I have a hard time fighting for the position of tenured faculty who treat contingent folks as expendable.
  • Jonathan Wilson has a post that asks whether higher education administrators actually understand education. He closes with a relatable sentiment: “I’m just tired of suspecting that U.S. higher education’s overall future is in the care of people who don’t even know what a college education is, let alone have any inclination to make the case for it before the American public.”
  • Ellie Mackin-Roberts has an excellent piece on pedagogical uses for ChatGPT that I’m just now getting to. I’m more likely to use the “correct an AI-generated essay” as an in-class exercise than as an assignment, but it is the one in which I see the brightest potential.
  • Vox has a good breakdown of why the extreme rainfall in California will not alleviate the water crisis after years of megadrought. The article notes that this rain will also disrupt flood-control infrastructure and points out that if this is a new normal, California will need to retool systems to capture this water rather than relying on the decreased snowpack.
  • From December in the Washington Post, a profile about the chaos in Somalia caused by President Trump pulling US troops from the country. I’m a little cautious of these stories given the reporting on similar operations from Afghanistan, but a line about comments from Danab (Somali special forces) that, on top of expertise, a US presence insulates them from political leaders who might turn them against civilian protesters and political opponents points to the complexity of the issue.
  • The military build-up and buffer zone between India and China in the Himalayas is disrupting traditional herding grounds and interfering with the trade in Cashmere (Washington Post).
  • NPR has an examination of Guru Jagat, a popular yoga instructor who her followers described as “real” and “grounded.” Then she became a believer in Q-Anon during the pandemic. The article connects the spiritual teachings of yoga to the way in which “truth” becomes revealed in these conspiracies.
  • Matt Gaetz apparently despises Kevin McCarthy, in no small part because he feels that McCarthy did not adequately stand up for him amid the sex-trafficking probe, even though McCarthy did not strip him of his committee appointments.
  • Dylan Scott at Vox reflects on the obsession with American football in the wake of Damar Hamlin’s injury on Monday. His obvious conclusion is that the football industrial complex works hard to downplay the undeniable violence in the game and that more catastrophic injuries and even deaths will occur so long as people keep watching. You could take the story back even further. In my US history survey, we spend a little time talking about how they changed the game in response to growing public outcry about players being killed on the field.

Album of the Week: Jukebox the Ghost, “Cheers”

Currently Reading: P. Djèlí Clark, A Master of Djinn (reread, this time in preparation for class)

Babel

The cover image of R.F. Kuang's Babel, a tower rising above Oxford with white birds in flight.

“But how does this happen?” he continued. “How does all the power from foreign languages just somehow accrue to England? This is no accident; this is a deliberate exploitation of foreign cultures and foreign resources. The professors like to pretend that the tower is a refuge for pure knowledge, that it sits above the mundane concerns of business and commerce, but it does not. It’s intricately tied to the business of colonialism. It is the business of colonialism.”

“Pamphlets. They’d thought they could win this with pamphlets.

He almost laughed at the absurdity. Power did not lie in the tip of a pen. Power did not work against its own interests. Power could only be brought to heel by acts of defiance it could not ignore. With brute, unflinching force. With violence.”

I didn’t like R.F. Kuang’s debut novel The Poppy War as much as most people I know. I wrote back in 2019 about how her voice and literary styling impressed me at the same time as I found myself frustrated by how much of the plot was taken directly from the headlines of the history of east Asia in the 19th and 20th century, which meant that I didn’t bother reading either of the sequels. However, I also speculated that the book would have been stronger had she abandoned the fictional world for the real one and expressed my interest in what Kuang put out subsequently.

Kuang did exactly what I had hoped for in her latest novel, Babel, or the necessity of Violence: An Arcane History of the Oxford Translator’s Revolution. The result was not only a brilliant fantasy novel, but also perhaps my favorite campus novel.

Babel is principally the story of Robin Swift, an orphan from Canton whose mother died in a Cholera epidemic in 1829 who comes into the care of Professor Richard Lovell, who whisks him off to England. Lovell rears Robin in his household for years, drilling him in Latin, Greek, and Chinese with the sole ambition of gaining him admission to the prestigious Royal Institute of Translation at Oxford University, colloquially known as Babel, where Lovell is a professor.

This institute, which is housed in a tower at Oxford, is the radiant hub of Britain’s colonial empire. Scholars working at Babel discovered the latent power in the slippage in translation that they can inscribe onto bars of silver. With the right semantic links, British silver can do anything from create swift-moving transit to reinforce buildings to power weapons of war. They only require a steady supply of silver and a roster of fluent linguists.

“Professor Playfair put the bar down. ‘So there it is. It’s all quite easy once you’ve grasped the basic principle. We capture what is lost in translation—for there is always something lost in translation—and the bar manifests it into being. Simple enough?’

Upon making his way to Oxford, Robin joins the three other students who have been selected for admission to Babel, Ramiz Rafi Mirza (Ramy) from Calcutta, Victoire Desgraves from Haiti, and Letitia Price (Letty), a white woman whose father was an admiral in the British navy. The quartet settles into a routine, supporting one another during the grinding years of coursework. During this period, all four suffer what we might term micro-aggressions even though their affiliation with Babel insulates them from the worst effects of racism and sexism. However, it is also in this period when Robin meets Griffin, Professor Lovell’s previous ward and likely Robin’s half brother. A former student at Babel himself, Griffin introduces Robin to the Hermes Society, a secretive association of people dedicated to resisting Babel’s power. Before long it becomes clear that there is only one path forward: Robin and his friends must seize Babel and thus the means of magic production.

Babel is a fictional history, and Kuang notes in her author’s note that she moved certain chronological details to meet narrative needs, but it is also set against very real historical events and phenomena. The British Empire is a given, and the climactic events appear against a backdrop of the Opium Wars, but Kuang also introduces historical personages and linguistic texts omitted from most textbooks, which gives the setting the texture of reality.

At the same time, Kuang uses this story to address the very nature of the academy, without resorting either to the secretive cultishness of The Secret History or the (in my opinion) mean-spirited satire of Lucky Jim. Rather, the pages of Babel are filled with the characters immediately recognizable to anyone who has spent time in college. Lovell’s stern and reclusive scholar who wants to be engaged with the grand affairs of the day is one archetype, but so too is the female scholar who has to work twice as hard to receive the same recognition and junior researchers who sympathize with radical social movements but also have to keep their heads down to receive promotion. I laughed aloud at a scene where the energetic senior professor who puts on a show in lectures and arranges the security measures at the tower that can kill or maim expresses his outrage that they can no longer reveal exam results with a ritual where students attempt to enter the tower: those who fail trigger the tower defenses. This sort of erudite bonhomie in class juxtaposed with a cruelty around exams and “qualifications” is altogether too common. Thus, with Babel, Kuang offers an incisive portrait of an institution that claims to be a progressive meritocracy while perpetuating a structure that is fundamentally conservative.

Then an interlude chapter told from Letty’s point of view opens with this sentence:

Letitia Price was not a wicked person.

The chapter goes on to dissect all of the problems with white feminism in just a few pages.

Put simply, Babel is a triumph, blending a clever magic system with a specific time and place, and themes that allow Kuang to speak to the present moment.

ΔΔΔ

This is the first of several posts on that I read in late 2022 when I became chaotically busy (I finished Babel in October). I read a bunch of good books in the intervening period, so my goal over the next few weeks is to get caught up.