Luck

Thomas Jefferson once said “I often find that the harder I work the luckier I am.” Actually, probably not. He is attributed with having said or written something of the sort, but the accuracy of internet quotations is such that I didn’t bother looking up the exact phrasing.*** The sentiment is the same however, regardless of the original context.

This aphorism fits neatly into a motivation, can-do ethos that suggests anything is possible if you just work hard enough. It fits nicely on a poster, too, but so do a lot of statements.

The problem is that this ethos is also a recipe for burnout when taken to its logical extreme. Graduate school particularly suffers from this sort of progression, but a series of articles have recently look at burnout as a social problem crushing some combination of millennials, young people, and/or everyone suffering from precarity.

As a junior scholar trying to make my way in the world of academia, I came to hate the word “if” in 2018. “If” is dangerous. If I just do X, Y, or Z, ad infinitum.

Without perspective, “if” paves the road to burnout. The problem is that “if” brims with potential, with hope. Hard work and hope are both good, but sometimes they can come to naught. Sometimes the most important “if” is “if I get a lucky break.”

Not the luck of hard work, but pure, simple, ineffable luck of forces beyond your control breaking the right way.

I wrote this post in hotels and airports while returning to Columbia from a campus interview where I was a finalist for a tenure track job. As I sit in an airport in Dallas I just keep coming back to the question, “Do I feel lucky?”

I embargoed this post until the  job search ended. I found out this morning that the job went to someone else.

UPDATE: ***My father pointed out to me that the original quote is attributed to L. Anneaus Seneca. A cursory Google search says this attribution dates to at least 1912 in a collection of quotations, but is thought to be a corruption of De Beneficiis 7.1.4, on the best wrestler being not the one who prepares all the tricks, but the one who masters one or two and looks for the opportunity to use them.

Why They Can’t Write

I just wrapped up my second read for the #PhDSkills project, John Warner’s Why They Can’t Write. Much like I did for The Writer’s Diet, I want to provide some summary thoughts here to supplement the lengthy Twitter thread.

In Why They Can’t Write, John Warner has written a two-pronged manifesto. On one level his target is a system starved of funds, weighed down by folklore, wracked by misguided fads, and ruined by rounds of reformers without experience. It is a bleak picture, and Warner does not shy away from it. Teachers are expected to work miracles, while being expected to take a vow of poverty and to work with inadequate resources. Meanwhile, student performance has remained roughly constant. There are no easy solutions outside a large-scale re-commitment to education, but Warner articulates how these failures undermine his ability to teach writing at the college level.

In other words, it isn’t their fault.

I found this argument compelling, but, as I tweeted at one point in the thread, I am the choir for Warner’s preaching.

In this post I want to reflect on the second prong, lessons from years in the classroom. At its heart, Warner’s advice consists of key ways to reconsider assignments and assessments to bring them closer in line with what we claim to be teaching.

  1. Avoid teaching writing through a list of rules of dos and donts. Rules only work if the students understand why the rules exist.Deprogram students from thinking about writing as mere word-generation designed to pass superficial examination, encouraging them to think about writings as thinking.
  2. Give students agency over what they write.
  3. Find ways to make writing meaningful. For instance, encourage students to write for an audience that is greater than the professor.
  4. Give students the agency to fail, to learn from failure, and to try again.
  5. Don’t require students to write about topics they do not know about.
  6. Approach assignments as activities and unpack the process students need to go through.
  7. Frame assessment in terms of improvement and the next opportunity, not simply justifying a grade.
  8. Remember: writing is hard and students need opportunities to develop expertise

This advice emerges from the comp classroom and some of the specific tips such as to teach “writing experiences” struck me as most useful in that context. Yet, these underlying lessons are broadly applicable across disciplines and Warner includes an oblique indictment of professors in other fields who lament their students’ inability to write, namely that they, too, bear some of the responsibility.

I teach history at a college level and since entering graduate school I have heard history professors bluntly declare that they don’t teach writing. They explain this position by falling back on the claim that history is too big (true) and that students learn those skills in English classes (stretching the truth, particularly since lit professors could similarly pass the baton). The silo approach to academic disciplines is backward on a number of levels; in this case it sets overworked composition teachers up to take the blame for failing an impossible task.

Since I want to put my words into action, I have my students write as much as I can feasibly give feedback on. The methods I use, however, have changed over time and will continue to change.

I particularly have an issue with the pedagogy of the “bluebook” in-class exam, which I see as a concession to scale. As a TA I probably graded a couple thousand of these exams, which usually consisted of an essay (sometimes with the prompt given in advance) and short answer questions from an ID bank. The students came to class stressed and sleep deprived (few people ever took my advice to get a full night’s sleep before an exam) and then dumped anything and everything they knew onto the page as quickly as possible.

On occasion students wrote brilliant essays in this format. These essays received all the validation of a dozen check marks, a high grade and a “Great job!.” More frequently these exams were objectively a mess as the students tried to prove that they had learned, at least for those fifty minutes, the content of the class.

The truth is that I am not interested in what a student can memorize and write down under those conditions. When I got my own classes I resolved that I would not give bluebook exams unless absolutely necessary and I have kept that resolution.

(I also have a few ideas how to modify bluebook exams when the logistics of a large class overwhelm my principles, but I will cross that bridge when I come to it.)

What I do instead is assign a variety of writing assignments. Some have not worked: a book review proved too challenging because students didn’t have adequate context and I am still tweaking how to best have students write source analyses.

Others have been smashing successes in my opinion. I assign take-home exams where my students write essays on big questions in the field. The assignment guide the students receive gives them several sets of prompts (it changes, but usually a set of two and a set of three prompts) and they are expected to use at least one primary and one secondary source to answer the question. I also add some additional advice: these are big questions of the sort that you could write a comprehensive exam answer in graduate school or a book; you ARE NOT expected to address the entirety of the topic, but need to narrow the focus and make an argument on the topic.

When I return the assignments covered in marks about a week later, I summarize the common problems. Students tried to do too much; there wasn’t a clear argument; that sort of thing. I tell them that the notes focus on how to improve on future assignments because the final is the same format. Then I say that if they are not satisfied with the grade, they have an opportunity to revise the assignment, on the condition that they meet with me.

About 20% of my students take me up on the chance to revise. When they come to my office, I usually skim their papers briefly, hand the exam back, and open with the question “how would you improve this essay?” What follows is a 15-20 minute conference where the students and I reflect on their essays and talk about how to improve the next draft.

Some students come back to conference more than once, but students write significantly improved essays after revision across the board. Even more encouraging is that these experiences carry through to the final so while most students improve from the midterm, the ones who revised their midterms improve more.

I also work in additional ways to help students think, write, and reflect throughout the semester, but this exam format is my favorite. Thinking about the points enumerated from Why They Can’t Write, this assignment fits in the genre of historical essay, but in a class where students are developing the necessary subject knowledge. Further, my emphasis is on writing as thinking, not word-generation. Students receive the opportunity to learn from their mistakes and reflect on their process, and my feedback is on how to improve on their writing for next time.

This is by no means a perfect assignment; I particularly want to find ways to give students more agency, other assignments could scaffold to this one better, and, ultimately, students are still only writing for me. But it is a start.

Why They Can’t Write has given me a lot to chew on as I design my syllabuses for the coming semester. I am particularly giving closer thought to unpacking the assignments as activities where “writing the paper” comes only at the end of the process.

And so this choirboy sings, teaching students to students to write is a project that professors across disciplines need to own (see also: the writing across the curriculum movement) and whether this sentiment appeals to you or you remain a skeptic, you should read Why They Can’t Write.

ΔΔΔ

#PhDSkills is a collaborative project created by Naomi Rendina and Greg Wiker where graduate students and early-career academics volunteer to read and review on Twitter books on teaching and writing. Why They Can’t Write is my second contribution and I am happy to talk about the book further here or on Twitter. I will be back with another review in early February when I tackle Steven and Victor Cahn’s Polishing Your Prose.

AIA-SCS San Diego: A Reflection

I spent the last weekend at the annual meeting for the Society for Classical Studies in San Diego, CA. I composed this post to reflect on my experience at the conference, almost entirely in two airplanes and the San Diego and Denver airports. The bulk of this post follows the jump, since I ran long and I doubt most people reading this are interested in the proceedings of an academic professional society.

For those who are interested: this is a birds-eye reflection rather than a blow-by-blow recap. See my Twitter feed for specific comments about papers.

Continue reading AIA-SCS San Diego: A Reflection

Publications Notice 2018

This year saw some of my work go out into the world beyond the ecosystem of this blog, in the form of two peer-reviewed articles and one book review. In reverse order, they were:

“‘Who Cares About the Greeks Living in Asia?’: Ionia and Attic Orators in the Fourth Century,” CJ 114 (2018), 163–90.

In this article I used the extant speeches of the Attic Orators as a window into Athenian public discourse about Ionia. Where a superficial distance between Athens and Ionia appeared at the start of the fourth century, these speeches, I argue, contain evidence a complex and ongoing relationship between the two even as their composers directed the attention of their audiences elsewhere.

“Oracular Politics: Propaganda and Myth in the Refoundation of Didyma,” AHB 32 (2018), 44–60.

This article challenges the widely-held position that the presence of Alexander the Great caused the restoration of the oracle at Didyma, which had lain in ruin for almost a century and a half since the end of the Persian Wars. I reinterpreted the ancient evidence for this spurious association, arguing that crediting Alexander served the political needs of the Milesians and of Seleucid royal family.

“Nudell on: P. Briant, The First European: A History of Alexander in the Age of Empire,” trans. N. Elliot (Harvard University Press: 2017).”

In January my review of Pierre Briant’s book about the reception of Alexander in Early Modern Europe, published in English as The First European appeared in CJ-online. The short version is that the book is excellent (Briant is one of my favorite ancient historians working), but I took issue with the title chosen for the English-language edition.


Each of these is a piece of scholarship, meaning that while I tried my best to keep the writing clean and readable, a certain amount of background context is assumed on the part of the reader. That said, I am happy to share copies with any interested readers, scholars, or students. If the numbers of off-prints are limited, priority goes to students and academics. Send an email to inquire about receiving a copy.