My 2022 in Writing

I have decided to rethink my year-in-review series this year. Where I have traditionally provided separate posts for anything published and anything published here, I am combining those two posts into one as a way to better address my writing as a coherent whole. This post thus includes a status update on projects, a list of things published, the best* posts of the year, and some raw stats from the blog.

Status update

2022 was a year of booms and busts for my writing. I started tracking how much time I spent on academic writing back in 2017 and this year marked the second lowest total of the past five years (2019 was a deep nadir for reasons of employment). But my writing this year also swung between periods of exceptional stamina, like a three week period in February where I averaged almost twenty hours each week, punctuated by periods when I didn’t write anything. Even the success of the writing group I started with Vicky Austen couldn’t keep me on track as my semester spun wildly out of control.

The state of my writing projects also contributed to the stop-and-start nature of my writing since the bursts often coincided with imminent deadlines. For instance, every few months this year I had a new deadline while moving my first book through the phases of production. That book is due out in March 2023. The same thing happened on a smaller scale with respect to an article accepted for Classical Quarterly that I am optimistic will appear next year and a book review, and I have also been wrapping up some smaller projects. By contrast, I had to do very little work on the only piece I had come out this year because it had been caught up in the production pipeline.

Finishing, or nearly finishing, these projects, many of which I once thought would be my final academic publications, has also left me thinking through my research pipeline. I have ideas in the works and at least one commitment for 2023, but one of my tasks over the next few months will be to put this in order and figure out where I want to spend my energy.

Perhaps not coincidentally, then, I also did less public writing and fewer presentations in 2022. I still worked on the SCS Blog’s contingent faculty series, but I was not the lead editor for either of the features that we produced this year. (I particularly recommend Kristina Chew’s two part essay.) I also delivered just one conference paper, connecting the mass of people not from Athens on the Sicilian Expedition to the revolt the following year. My favorite piece of writing of the year was a talk about bread baking for a student group on campus that offered “a family and social history of bread.”

It was a similar story on this blog. I wrote somewhat less frequently, but I produced more words than I ever have before because the average post length ballooned enormously.

Publications

“Remembering injustice as the perpetrator?: Orators, Cultural Memory, and the Athenian Conquest of Samos,” in The Orators and their Treatment of the Recent Past, ed. A. Kapellos (Berlin: De Gruyter, 2022), 447–63.

Previous years: 2021; 2020; 2018

I have a complete list of my publications, with links to everything available online, here. If you are interested in reading any of my work and do not have access to it, email me for a pdf or off-print.

Best* Posts

Previous years: 2021; 2020; 2019; 2018; 2017; 2016

Blog stats to date, with a few days left to go

  • Posts: 65
  • Words: 69,482
  • Av. length: 1,069
  • Visitors: 7,941
  • Views: 10,916

A List of my Favorite Science Fiction and Fantasy Novels (2022 Edition)

This category is dedicated to books as standalone books that may or may not be part of a longer series. The dividing line for this list was whether I thought you could read just the one book from a series as a self-contained story. If the answer was no, then the series likely appears below. As with my list of favorite novels, this is both recommendation and not. The list is a product of personal taste and dim memory of when I read these books, which often speaks as much to who I was when I read them as to the overall quality.

A few stats:

  • Oldest: 1937 (Starmaker)
  • Newest: 2021 (A Master of Djinn)

Tier 3
34. The Redemption of Althalus, David and Leigh Eddings (2000)
33. Ancillary Justice, Ann Leckie (2013)
32. The Golem and the Jinni, Helene Wexler (2013)
31. Old Man’s War, John Scalzi (2005)
30. Inverted World, Christopher Priest (1974)
29. Foundation, Isaac Asimov (1951)
28. Kalpa Imperial, Angélica Gorodischer (1983)
27. The Bone Shard Daughter, Andrea Stewart (2020)
26. Throne of the Crescent Moon, Saladin Ahmed (2012)
25. The Postmortal, Drew Magary (2011)
24. Neuromancer, William Gibson (1984)
23. The Tombs of Atuan, Ursula K. Le Guin (1972)
22. Ender’s Game, Orson Scott Card (1985)

Tier 2
21. A Darker Shade of Magic, V.E. Schwab (2015)
20. Ilium, Dan Simmons (2003)
19. The Three-Body Problem, Cixin Liu (2008)
18. A Master of Djinn, P. Djeli Clark (2021)
17. A Memory Called Empire, Arkady Martine (2019)
16. The Lies of Locke Lamora, Scott Lynch (2007)
15. The Grace of Kings, Ken Liu (2015)
14. Left Hand of Darkness, Ursula K. Le Guin (1969)
13. Snowcrash, Neal Stephenson (1992)
12. Dune, Frank Herbert (1965)
11. Jonathan Strange and Mr. Norrell, Susanna Clarke (2004)
10. Piranesi, Susanna Clarke (2020)
9. Ocean at the End of the Lane, Neil Gaimon (2013)
8. Starmaker, Olaf Stapledon (1937)

Tier 1
7. Parable of the Sower, Octavia Butler (1993)
6. The Fifth Season, N.K. Jemisin (2015)
5. Hyperion, Dan Simmons (1989)
4. The Dispossessed, Ursula K. Le Guin (1974)
2. Good Omens, Terry Pratchett and Neil Gaimon (1990)
1. American Gods, Neil Gaimon (2001)

Series

The following section is dedicated to fantasy books that I think of as series rather than as individual books. These series range from three to fourteen books. Not all of the series are complete and in fact my top two and four of my top ten are as-yet incomplete. Several caveats apply to this list. First, I have to have read all of the books in the series that are out, which eliminates series of books that I quite enjoyed, including some of the books on the above list. Second: where an ongoing series ranks depends in part on my estimation of the most recent books. Most notably for this iteration, Ken Liu’s series skipped past several series based largely on how much I loved last year’s release, and Arkady Martine’s books made a stunning debut in this category in large part because of A Desolation Called Peace. There is at least one first-book-in-a-series on the list above that I loved as a standalone, but was less impressed with how the series developed. The Expanse books would likely fall in Tier 3 between Tao and Shades, but I have only read half the books at the time this post went up.

Tier 3
19. Star Wars: X-Wing, various authors
18. The Three Body Problem, Cixin Liu
17. Earthsea, Ursula K. Le Guin
16. Kushiel’s Legacy, Jacqueline Carey
15. Machineries of Empire, Yoon Ha Lee
14. Tao Trilogy, Wesley Chu
13. Shades of Magic, V.E. Schwab

Tier 2
12. Mistborn, Brandon Sanderson
11. Farseer Trilogy, Robin Hobb
10.The Wheel of Time, Robert Jordan/Brandon Sanderson
9. The Daevabad Trilogy, Shannon Chakraborty
8. Liveship Traders, Robin Hobb
7. Stormlight Archive, Brandon Sanderson
6. Teixcalaan Series, Arkady Martine

Tier 1
5. Lord of the Rings, J.R.R. Tolkien
4. Dandelion Dynasty, Ken Liu
3. Broken Earth, N.K. Jemisin
2. A Song of Ice and Fire, George R.R. Martin
1. Kingkiller Chronicles, Patrick Rothfuss

A List of My Favorite Novels (2022 edition)

Before getting to the list, a few preliminaries:

  • This list is a reflection of my own personal taste. I have become a more discerning reader since publishing the initial list, but I am not primarily making an aesthetic literary judgement. In at least one case, the book doesn’t hang together as a complete novel, the author thought it was a complete failure, and yet it contains some of my favorite scenes that author ever produced.
  • This list combines the experience I had when I read the book with the foggy recollection of memory. I cannot promise that were I to read the book again it would land in the same place. I rarely fiddle with the rankings from year to year other than to add new books and iron out disagreements between this list and my fantasy rankings, but sometimes it happens.
  • I have subdivided the list into tiers because some of the distinctions amount to splitting hairs.
  • This list serves both as recommendation and not. When I recommend books to a particular reader, I tailor the list to the recipient. To wit, I am moved by Hemingway’s writing and thought that David Foster Wallace’s Infinite Jest was brilliant; I rarely recommend anyone read either.
  • I once intended to make this list out to a round one hundred books, or one hundred +X, but while there are hundreds and hundreds of books in the world that I have enjoyed, not all of those made the list because I instead decided that it should serve as a collection of books that I consider all-time favorites. Once the list hits 100 or so—maybe 100+my age at the time I publish the list— books at the back end will begin to fall off.
  • I am annoyed by lists of great novels that include series and books that are not novels. To reflect this, I have created a second list of my favorite works of science fiction and fantasy that includes both stand-alone novels and series, which will appear in a subsequent post. Some works appear on both lists, hopefully in the same order.
  • The dates in parentheses are publication date, even when the publication was posthumous.
  • Since the 2021 update, I have added just two books to the list and adjusted the ranking of one book. This is mostly because the two best books I read in 2021 came before I updated the list and while I have enjoyed a lot of the books I have read since, the great ones have mostly been non-fiction or in genres that I am generally not tracking here. There is more movement on my science fiction and fantasy list, both because I have read more books in those genres and because it has been two years since my last update.

And a few stats:

  • Original Languages: 12
  • Books by women: 19
  • Oldest: 1899 (The Heart of Darkness)
  • Newest: 2021 (The Book of Form and Emptiness)

Tier 5
77. Bridge on the Drina, Ivo Adric (1945)
76. The Left Hand of Darkness, Ursula K. Le Guin (1969)
75. Snowcrash, Neal Stephenson (1992)
74. Water For Elephants, Sara Gruen (2006)
73. The Clergyman’s Daughter, George Orwell (1935)
72. Foucault’s Pendulum, Umberto Eco (1988)
71. Basti, Intizar Husein (1979)
70. The Samurai’s Garden, Gail Tsukiyama (1994)
69. The Time of the Hero, Mario Vargas Llosa (1963)
68. The Stranger, Albert Camus (1942)
67. Heart of Darkness, Joseph Conrad (1899)
66. Snow Flower and the Secret Fan, Lisa See (2005)
65. First and Last Man, Olaf Stapledon (1930)
64. Zorba the Greek, Nikos Kazantzakis (1946)
63. Scoop, Evelyn Waugh (1938)
62. Dune, Frank Herbert (1965)
61. The Brothers Ashkenazi, I.J. Singer (1937)

Tier 4
60. The Baron in the Trees, Italo Calvino (1957)
59. Siddhartha, Herman Hesse (1951)
58. White Noise, Don Delillo (1985)
57. Burmese Days, George Orwell (1934)
56. The Bluest Eye, Toni Morrison (1970)
55. Jonathan Strange and Mr. Norrell, Susanna Clarke (2004)
54. Piranesi, Susanna Clarke (2020)
53. The Ocean at the End of the Lane, Neil Gaimon (2013)
52. The Radetzky March, Joseph Roth (1932)
51. Exit West, Mohsin Hamid (2017)
50. Palace Walk, Naguib Mahfouz (1956)

Tier 3
49. Star Maker, Olaf Stapledon (1937)
48. Parable of the Sower, Octavia Butler (1993)
47. The Fifth Season, N.K. Jemisin (2015)
46. Hyperion, Dan Simmons (1989)
45. The Secret History, Donna Tartt (1992)
44. I, The Supreme, Augusto Roa Bastos (1974)
43. The Museum of Innocence, Orhan Pamuk (2008)
42. Day of the Oprichnik, Vladimir Sorokin (2006)
41. American War, Omer el-Akkad (2017)
40. The Man Who Spoke Snakish, Andrus Kivirähk (2007)
39. The Sympathizer, Viet Thanh Nguyen (2015)
38. If Beale Street Could Talk, James Baldwin (1974)
37. The Dispossessed, Ursula K. Le Guin (1974)
36. The Blind Assassin, Margaret Atwood (2000)
35. The Book of Form and Emptiness, Ruth Ozeki (2021)

Tier 2
34. The Bad Girl, Mario Vargas Llosa (2006)
33. Good Omens, Neil Gaimon and Terry Pratchett (1990)
32. The Shadow King, Maaza Mengiste (2019)
31. A Tale for the Time Being, Ruth Ozeki (2013)
30. I Saw Her That Night, Drago Jančar (2010)
29. The Black Book, Orhan Pamuk (1990)
28. The Feast of the Goat, Mario Vargas Llosa (2000)
27. American Gods, Neil Gaimon (2001)
26. Catch 22, Joseph Heller (1961)
25. Creation, Gore Vidal (1981)
24. Coming Up for Air, George Orwell (1939)
23. For Whom the Bell Tolls, Ernest Hemingway (1940)
22. The Handmaid’s Tale, Margaret Atwood (1985)
21. Snow, Orhan Pamuk (2002)
20. Stoner, John Williams (1965)
19. Beloved, Toni Morrison (1987)
18. The End of Days, Jenny Erpenbeck (2013)
17. Lolita, Vladimir Nobokov (1955)
16. Dr. Faustus, Thomas Mann (1947)

Tier 1B
15. My Brilliant Friend, Elena Ferrante (2011)
14. We, Yevgeny Zamyatin (1924)
13. My Name is Red, Orhan Pamuk (1998)
12. The White Tiger, Aravind Adiga (2008)
11. The Jokers, Albert Cossery (1964)
10. To Have and Have Not, Ernest Hemingway (1937)
9. The Great Gatsby, F. Scott Fitzgerald (1925)
8. Keep the Aspidistra Flying, George Orwell (1936)
7. The Sun Also Rises, Ernest Hemingway (1926)
6. Infinite Jest, David Foster Wallace (1996)

Tier 1A
5. Hundred Years of Solitude, Gabriel Garcia Marquez (1967)
4. The Master and Margarita, Mikhail Bulgakov (1967)
3. Magister Ludi, Hermann Hesse (1943)
2. Nineteen Eighty-Four, George Orwell (1949)
1. The Last Temptation of Christ, Nikos Kazantzakis (1955)

A List of my Favorite Novels (2021 edition)

Before getting to the list, a few preliminaries:

  • This list is a reflection of my own personal taste. I have become a more discerning reader since publishing the initial list, but I am not primarily making an aesthetic literary judgement.
  • This list combines the experience I had when I read the book with the foggy recollection of memory. I cannot promise that were I to read the book again it would land in the same place. I rarely fiddle with the rankings from year to year other than to add new books and iron out disagreements between this list and my fantasy rankings, but sometimes it happens.
  • I have subdivided the list into tiers because some of the distinctions amount to splitting hairs.
  • This list serves both as recommendation and not. When I recommend books to a particular reader, I tailor the list to the recipient. To wit, I am moved by Hemingway’s writing and thought that David Foster Wallace’s Infinite Jest was brilliant; I rarely recommend anyone read either.
  • I once intended to make this list out to a round one hundred books, or one hundred +X, but while there are hundreds and hundreds of books in the world that I have enjoyed, not all of those made the list because I instead decided that it should serve as a collection of books that I consider all-time favorites. Once the list hits 100 or so—maybe 100+my age at the time I publish the list— books at the back end will begin to fall off.
  • I am offended by lists of great novels that include series and books that are not novels. To reflect this, I have created a second list of my favorite works of science fiction and fantasy that includes both stand-alone novels and series, which will appear in a subsequent post. Some works appear on both lists; hopefully in the same order.
  • The dates in parentheses are publication date, even when the publication was posthumous.

And a few stats:

  • Languages: 12
  • Books by women: 16
  • Oldest: 1899 (The Heart of Darkness)
  • Newest: 2020 (Piranesi)

Tier 5

75. Bridge on the Drina, Ivo Adric (1945)
74. The Left Hand of Darkness, Ursula K. Le Guin (1969)
73. Snowcrash, Neal Stephenson (1992)
72. Water For Elephants, Sara Gruen (2006)
71. The Clergyman’s Daughter, George Orwell (1935)
70. Foucault’s Pendulum, Umberto Eco (1988)
69. Basti, Intizar Husein (1979)
68. The Samurai’s Garden, Gail Tsukiyama (1994)
67. The Time of the Hero, Mario Vargas Llosa (1963)
66. The Stranger, Albert Camus (1942)
65. Heart of Darkness, Joseph Conrad (1899)
64. Snow Flower and the Secret Fan, Lisa See (2005)
63. First and Last Man, Olaf Stapledon (1930)
62. Zorba the Greek, Nikos Kazantzakis (1946)
61. Scoop, Evelyn Waugh (1938)
60. Dune, Frank Herbert (1965)
59. The Brothers Ashkenazi, I.J. Singer (1937)

Tier 4

58. The Baron in the Trees, Italo Calvino (1957)
57. Siddhartha, Herman Hesse (1951)
56. White Noise, Don Delillo (1985)
55. Jonathan Strange and Mr. Norrell, Susanna Clarke (2004)
54. Piranesi, Susanna Clarke (2020)
53. The Ocean at the End of the Lane, Neil Gaimon (2013)
52. The Radetzky March, Joseph Roth (1932)
51. Exit West, Mohsin Hamid (2017)
50. Palace Walk, Naguib Mahfouz (1956)
49. Burmese Days, George Orwell (1934)

Tier 3

48. Star Maker, Olaf Stapledon (1937)
47. Parable of the Sower, Octavia Butler (1993)
46. The Fifth Season, N.K. Jemisin (2015)
45. Hyperion, Dan Simmons (1989)
44. The Secret History, Donna Tartt (1992)
43. I, The Supreme, Augusto Roa Bastos (1974)
42. The Museum of Innocence, Orhan Pamuk (2008)
41. Day of the Oprichnik, Vladimir Sorokin (2006)
40. American War, Omer el-Akkad (2017)
39. The Man Who Spoke Snakish, Andrus Kivirähk (2007)
38. The Sympathizer, Viet Thanh Nguyen (2015)
37. If Beale Street Could Talk, James Baldwin (1974)
36. The Dispossessed, Ursula K. Le Guin (1974)
35. The Blind Assassin, Margaret Atwood (2000)

Tier 2

34. The Bad Girl, Mario Vargas Llosa (2006)
33. Good Omens, Neil Gaimon and Terry Pratchett (1990)
32. The Shadow King, Maaza Mengiste (2019)
31. A Tale for the Time Being, Ruth Ozeki (2013)
30. I Saw Her That Night, Drago Jančar (2010)
29. The Black Book, Orhan Pamuk (1990)
28. The Feast of the Goat, Mario Vargas Llosa (2000)
27. American Gods, Neil Gaimon (2001)
26. Catch 22, Joseph Heller (1961)
25. Creation, Gore Vidal (1981)
24. Coming Up for Air, George Orwell (1939)
23. For Whom the Bell Tolls, Ernest Hemingway (1940)
22. The Handmaid’s Tale, Margaret Atwood (1985)
21. Snow, Orhan Pamuk (2002)
20. Stoner, John Williams (1965)
19. Beloved, Toni Morrison (1987)
18. The End of Days, Jenny Erpenbeck (2013)
17. Lolita, Vladimir Nobokov (1955)
16. Dr. Faustus, Thomas Mann (1947)

Tier 1B

15. My Brilliant Friend, Elena Ferrante (2011)
14. We, Yevgeny Zamyatin (1924)
13. My Name is Red, Orhan Pamuk (1998)
12. The White Tiger, Aravind Adiga (2008)
11. The Jokers, Albert Cossery (1964)
10. To Have and Have Not, Ernest Hemingway (1937)
9. The Great Gatsby, F. Scott Fitzgerald (1925)
8. Keep the Aspidistra Flying, George Orwell (1936)
7. The Sun Also Rises, Ernest Hemingway (1926)
6. Infinite Jest, David Foster Wallace (1996)

Tier 1A

5. Hundred Years of Solitude, Gabriel Garcia Marquez (1967)
4. The Master and Margarita, Mikhail Bulgakov (1967)
3. Magister Ludi, Hermann Hesse (1943)
2. Nineteen Eighty-Four, George Orwell (1949)
1. The Last Temptation of Christ, Nikos Kazantzakis (1955)

My 2020: Lists of Note


Every year around this time I try to make sense of my year that was. The series kicked off with a collection of the Best* posts, followed by a set of numbers that described my year. Today is a set of seven lists that look backward and one that looks forward.

Five favorite novels I read this year:

Seven favorite non-fiction books I read this year:

Five novels I’m looking forward to (maybe) reading in 2020 (no repeats from last year!):

  • American Pastoral, Philip Roth
  • An Unnecessary Woman, Rabih Alameddine
  • Last Train to Istanbul, Ayse Kulin
  • The Makioka Sisters, Junichiro Tanizaki
  • Piranesi, Susanna Clarke

Eight TV shows I was watching this year:

  • The Mandalorian
  • The Sopranos
  • The Vow
  • Schitt’s Creek
  • The Last Dance
  • Briarpatch
  • Narcos
  • High Fidelity

Four movies I saw for the first time that were totally worth the price of admission a streaming platform

  • Fargo (1996)
  • The Breadwinner (2017)
  • Kiki’s Delivery Service (1989)
  • Porco Rosso (1992)

Three video games I enjoyed getting lost in:

  • Assassin’s Creed Odyssey
  • Final Fantasy VII: Remastered
  • Path of Exile

Three podcasts that I filled the hours I spent walking this year:

While I mostly listen to singles, I found myself particularly listening to these albums in 2020:

  • “Harlem River Blues,” Justin Townes Earle (2010, RIP)
  • “Alone Together Sessions,” Hayes Carll (2020)
  • “New Miserable Experience,” Gin Blossoms (1992)
  • Tchaikovsky’s Symphonies

Find the past lists here: 2015, 2016, 2017, 2018, and 2019.

My 2020: Best* Posts

It is time again for a series of posts that I use to reflect on the year that was. First up, I want to highlight some of my favorite posts to this point in the year. These are not necessarily the best or the best-trafficked, but rather things I wrote that I look back on fondly and think are worth revisiting.

For many reasons I did not write here as much as I have in the past (2020 marked the lowest number of total posts since 2011), but writing about non-academic books I’ve read bore the brunt of this change—whether because that writing felt frivolous or because I didn’t have anything to say when I finished a book. My more substantive output didn’t change all that much and the posts I did write were, on balance, longer than in past years. The result is one of the longest Best* posts wrap-up since I started doing this end of year series.

Previously: 2019; 2018; 2017; 2016

As in past years, I’ve written a bunch about teaching and writing in an academic context:

What Would I Write
Evidence, Please
Academic Style
Notes from Corona Campus
First Day Fragments: reflections on ZoomU 2.0

I also wrote a little bit about history and ancient history:

What Does It Mean to Learn From History
Bring Back Dokimasia
The Impossibility of Alexander
Thearion: The Paul Hollywood of Ancient Athens

One of my favorite pieces I wrote was about baking, in response to a sudden shortage of yeast after the start of the COVID-19 pandemic:

Help! I’m Out of Yeast!

Finally, I wrote two pieces about pop culture that I particularly like, an exceptionally silly review of the best books I read this year and a reflection on my connection to Star Wars written in response to The Rise of Skywalker:

Day of the Oprichnik
Star Wars and I

My #Content 2020, or where to find me

Note: This is a post meant to be something I can point to. I last surveyed my internet presence back in 2017 before finishing my degree, and am overdue for an update.

Twitter: @jpnudell

Twitter remains my primary social media platform and has been for nearly a decade now. I use the platform for collecting news, jokes, chatting with colleagues, baby animal pictures, and scholarship, roughly in that order. My usage rate has spiked over the past few years and did again early this year when life became suddenly very online. In my last post I hemmed and hawed about not knowing “what I want my Twitter account to be for,” but I have largely made peace with it. Despite sometimes falling into a doomscrolling cycle, I am insulated by my presence as a cis-gendered white man and a quick trigger finger on the mute button and so don’t have nearly the same negative experiences on the site as a lot of other people. It can incite rage and fuel my imposter syndrome, but I have also found my community on Twitter to be incredibly supportive and made many friends through the site. I still need to better regulate my usage lest I never get any writing done, but I don’t have any plans to quit Twitter anytime soon.

Instagram: @jpnudell

My secondary social media platform is instagram, which gives me everything I liked about Facebook with none of the garbage. I use this account to document my baking projects, the books I’m reading, the antics of the cats, and assorted photos of trips and the like. I keep meaning to organize my photos using a Flikr or similar platform, but whenever I go to work on an organizational project like that, I think I should be writing. Perhaps something to work on this summer.

Facebook: 404 Error Page Not Found

Copied from the last entry: I deleted my Facebook account in 2012, announcing it in a post where I declared that Facebook failed. I should amend this statement. I was commenting on Zuckerberg’s stated purpose of bringing the world together by getting people to live in a fishbowl, but, ultimately, that isn’t Facebook’s goal. Facebook has been unbelievably successful in getting people to turn to it as a standard place to write, communicate, organize events, and post information and pictures. It is an addictive ecosystem that makes it particularly easy for other people in the system to use while being annoying for those on the outside. For all of that, I also believe that my life is significantly better for not having an account.

Ello: jpnu

Technically this page still exists. I liked the UI and posted a few short form pieces and pictures years ago but liked it more in principle than in practice. I didn’t find a community there and without the audience I don’t know if I’ll go back to posting there.

Humanities Commons: @jpnudell

Humanities Commons is a site started as an open-access alternative for Academia.edu, hosted by the MLA. I migrated most of my Academia.edu materials there, but have largely left my page remain dormant, just periodically updating the materials so that they are current. I like HC better than A.edu in both interface and ideology, but haven’t found its footprint to be significant enough to justify the time and energy to promote it. I keep much more of this information here on my personal site, regularly updating my research pages, including current projects and publications. I will upload my articles here as they become open access and am always happy to share offprints with anyone who asks for them.

Academia.edu

I deleted my Academia.edu account in 2017 after calls to delete the platform by people like Dr. Sarah Bond pointed out its extortionate practices. I have since reactivated my account, but only to read papers uploaded there by mostly European scholars. I feel a smidge of guilt over my lack of reciprocity, but I do not actually use the site myself. My work is available here or on Humanities Commons.

Linkedin: in/jpnudell/

I, uh, have an account here. I don’t use the site for much other than networking and starting a non-academic job search, but as I transition that direction more aggressively my activity there will likely ramp up.

A list of my favorite Fantasy and Sci-Fi Novels (2020 edition)

Individual Novels

This category is dedicated to books as standalone books that may or may not be part of a longer series of books. The dividing line for this list was whether I thought you could read just the one book from a series as a self-contained story. If the answer was no, then the series likely appears below. As with my list of favorite novels, this is both recommendation and not. The list is a product of personal taste and dim memory of when I read these books, which often speaks as much to who I was when I read them as to the overall quality.

Tier 3
27. The Redemption of Althalus, David and Leigh Eddings (2000)
26. The Armored Saint, Myke Cole (2018)
25. Ancillary Justice, Ann Leckie (2013)
24. Old Man’s War, John Scalzi (2005)
23. Throne of the Crescent Moon, Saladin Ahmed (2012)
22. Inverted World, Christopher Priest (1974)
21. Foundation, Isaac Asimov (1951)
20. The Postmortal, Drew Magary (2011)
19. Neuromancer, William Gibson
18. The Tombs of Atuan, Ursula K. Le Guin
17. Ender’s Game, Orson Scott Card (1985)

Tier 2
16. A Darker Shade of Magic, V.E. Schwab (2015)
15. Ilium, Dan Simmons (2003)
14. The Three-Body Problem, Cixin Liu (2008)
13. The Lies of Locke Lamora, Scott Lynch (2007)
12. The Grace of Kings, Ken Liu (2015)
11. Left Hand of Darkness, Ursula K. Le Guin (1969)
10. Snowcrash, Neal Stephenson (1992)
9. Dune, Frank Herbert (1965)
8. Starmaker, Olaf Stapledon (1937)
7. Ocean at the End of the Lane, Neil Gaimon (2013)

Tier 1
6. The Fifth Season, N.K. Jemison (2015)
5. Hyperion, Dan Simmons (1989)
4. The Dispossessed, Ursula K. Le Guin (1974)
2. Good Omens, Terry Pratchett and Neil Gaimon (1990)
1. American Gods, Neil Gaimon (2001)

Series

This category is dedicated to fantasy books that I think of as series rather than as individual books. These series range from three to fourteen books. Not all of the series are complete and in fact my top two and four of my top ten are as-yet incomplete. The only caveat to this list is that I have to have read all of the books in the series that are out, which eliminates series of books that I quite enjoyed, including some of the books on the above list.

Tier 3
14. Star Wars: X-Wing, various authors
13. Earthsea, Ursula K. Le Guin
12. Kushiel’s Legacy, Jacqueline Carey
11. Tao Trilogy, Wesley Chu

Tier 2
10. Mistborn, Brandon Sanderson
9. Farseer Trilogy, Robin Hobb
8. Dandelion Dynasty, Ken Liu
7. The Wheel of Time, Robert Jordan/Brandon Sanderson
6. Liveship Traders, Robin Hobb
5. Stormlight Archive, Brandon Sanderson

Tier 1
4. Lord of the Rings, J.R.R. Tolkien
3. Broken Earth, N.K. Jemisin
2. A Song of Ice and Fire, George R.R. Martin
1. Kingkiller Chronicles, Patrick Rothfuss

A List of my Favorite Novels (2020 edition)

A few years ago I published a list of my favorite novels. At the time I had intended to update this list annually, but never did, in part because there wasn’t much movement on the list and because the initial series included capsules that took a lot of work to write.

I have read a lot of really good books since publishing that list, with the result that not only is the list more than twice as long, but also that there has been substantial movement within it. For instance, the original list was entirely male and overwhelmingly white; it still leans heavily that direction, but also contains more than a dozen books by non-white authors and about a quarter of the new books were written by women, all of which entered the list in the last two years. These demographics are entirely based on the demographics in the books I read, so I fully expect that the list will continue to diversify as I read more widely.

Before getting to the list, a few preliminaries:

  • This list is a reflection of my own personal taste. I have become a more discerning reader since publishing the initial list, but I am not primarily making an aesthetic literary judgement.
  • This list combines the experience I had when I read the book with the foggy recollection of memory. I cannot promise that were I to read the book again it would land in the same place.
  • I have subdivided the list into tiers because some of the distinctions amount to splitting hairs.
  • This list serves both as recommendation and not. When I recommend books to a particular reader, I tailor the list to the recipient. To wit, I am moved by Hemingway’s writing and thought that David Foster Wallace’s Infinite Jest was brilliant; I rarely recommend anyone read either.
  • I once intended to make this list out to a round one hundred books, or one hundred +X, but while there are hundreds and hundreds of books in the world that I have enjoyed, not all of those made the list because I instead decided that it should serve as a collection of books that I consider all-time favorites.
  • I am offended by lists of great novels that include series and books that are not novels. To reflect this, I have created a second list of my favorite works of science fiction and fantasy that includes both stand-alone novels and series, which will appear in a subsequent post. Some works appear on both lists.
  • The dates in parentheses are publication date, even when the publication was posthumous.

And a few stats:

  • Languages: 12
  • Books by women: 11
  • Oldest: 1899 (The Heart of Darkness)
  • Newest: 2017 (American War and Exit West)

Tier 5

66. Bridge on the Drina, Ivo Adric (1945)
65. The Left Hand of Darkness, Ursula K. Le Guin (1969)
64. Snowcrash, Neal Stephenson (1992)
63. Water For Elephants, Sara Gruen (2006)
62. The Clergyman’s Daughter, George Orwell (1935)
61. Foucault’s Pendulum, Umberto Eco (1988)
60. Basti, Intizar Husein (1979)
59. The Samurai’s Garden, Gail Tsukiyama (1994)
58. The Time of the Hero, Mario Vargas Llosa (1963)
57. Dune, Frank Herbert (1965)
56. The Stranger, Albert Camus (1942)
55. First and Last Man, Olaf Stapledon (1930)
54. Zorba the Greek, Nikos Kazantzakis (1946)
53. Scoop, Evelyn Waugh (1938)

Tier 4

52. The Ocean at the End of the Lane, Neil Gaimon (2016)
51. The Baron in the Trees, Italo Calvino (1957)
50. Siddhartha, Herman Hesse (1951)
49. White Noise, Don Delillo (1985)
48. The Radetzky March, Joseph Roth (1932)
47. Exit West, Mohsin Hamid (2017)
46. Palace Walk, Naguib Mahfouz (1956)
45. Burmese Days, George Orwell (1934)

Tier 3

44. Heart of Darkness, Joseph Conrad (1899)
43. Hyperion, Dan Simmons (1989)
42. The Secret History, Donna Tartt (1992)
41. I, The Supreme, Augusto Roa Bastos (1974)
40. The Museum of Innocence, Orhan Pamuk (2008)
39. American War, Omer el-Akkad (2017)
38. The Man Who Spoke Snakish, Andrus Kivirähk (2007)
37. If Beale Street Could Talk, James Baldwin (1974)
36. The Dispossessed, Ursula K. Le Guin (1974)
35. The Blind Assassin, Margaret Atwood (2000)

Tier 2

34. The Bad Girl, Mario Vargas Llosa (2006)
33. Star Maker, Olaf Stapledon (1937)
32. Good Omens, Neil Gaimon and Terry Pratchett (1990)
31. A Tale for the Time Being, Ruth Ozeki (2013)
30. I Saw Her That Night, Drago Jančar (2010)
29. The Black Book, Orhan Pamuk (1990)
28. The Feast of the Goat, Mario Vargas Llosa (2000)
27. American Gods, Neil Gaimon (2001)
26. Catch 22, Joseph Heller (1961)
25. Creation, Gore Vidal (1981)
24. Coming Up for Air, George Orwell (1939)
23. For Whom the Bell Tolls, Ernest Hemingway (1940)
22. The Handmaid’s Tale, Margaret Atwood (1985)
21. Snow, Orhan Pamuk (2002)
20. Stoner, John Williams (1965)
19. Beloved, Toni Morrison (1987)
18. The End of Days, Jenny Erpenbeck (2013)
17. Lolita, Vladimir Nobokov (1955)
16. Dr. Faustus, Thomas Mann (1947)

Tier 1B

15. My Brilliant Friend, Elena Ferrante (2011)
14. We, Yevgeny Zamyatin (1924)
13. My Name is Red, Orhan Pamuk (1998)
12. The White Tiger, Aravind Adiga (2008)
11. The Jokers, Albert Cossery (1964)
10. To Have and Have Not, Ernest Hemingway (1937)
9. The Great Gatsby, F. Scott Fitzgerald (1925)
8. Keep the Aspidistra Flying, George Orwell (1936)
7. The Sun Also Rises, Ernest Hemingway (1926)
6. Infinite Jest, David Foster Wallace (1996)

Tier 1A

5. Hundred Years of Solitude, Gabriel Garcia Marquez (1967)
4. The Master and Margarita, Mikhail Bulgakov (1967)
3. Magister Ludi, Hermann Hesse (1943)
2. Nineteen Eighty-Four, George Orwell (1949)
1. The Last Temptation of Christ, Nikos Kazantzakis (1955)

Pamuk, ranked (update)

My ranking of Orhan Pamuk’s novels, now updated to include The Red Haired Woman, and with links to discussions of individual books.

  1. My Name is Red
  2. Snow
  3. The Black Book
  4. Museum of Innocence
  5. A Strangeness in My Mind
  6. The Red Haired Woman
  7. Silent House
  8. The New Life
  9. The White Castle

There is a tier after the first three, and another after the next three. Tell me why I am wrong.

Previously: Orwell, Hemingway.