Following the model of NPR’s Pop Culture Happy Hour and, to a lesser extent, the Make Me Smart daily podcast, I want to remind myself that there are things that bring me joy. These posts are meant to be quick hits that identify and/or recommend things—usually artistic or cultural, sometimes culinary—that are making me happy in a given week. I am making this quick format an intermittent feature.
This week: Marcus, from The Bear.
Marcus: My first job was McDonalds. You don’t get to be creative, you just work with robots and everything is automatic and fast and easy. I won’t make a mistake again.The Bear 1.5, “Sheridan”
Carmy: Yeah, you will. But not ’cause you’re you, but ’cause shit happens.
Watching The Bear causes me quite a lot of stress. The show stars Jeremy Allen White as Carmen “Carmy” Berzatto, a rising star of the culinary world who recently returned to Chicago to take over The Beef, an Italian beef sandwich shop after the owner, his brother, committed suicide. Carmy is working overtime just to keep the place afloat while trying to elevate the cuisine, navigating the resistance to change among the existing staff (especially Richie, played by Ebon Moss-Bachrach), tempering the ambition of his new sous chef Sydney (Ayo Edebiri), and, of course, dealing with the loss of his brother.
Something is always going wrong in the restaurant, whether in terms of interpersonal tensions at the worst possible moment or technical failures or a failed health inspection. All of this crests in the seventh episode “Review” where for twenty excruciating minutes you are taken into the absolute chaos of the restaurant. My stress watching this is a testament to the attention to detail brought to the show that brought on flashbacks to my experience managing a restaurant, which I did for a year after college. There are parts of the work that I enjoyed—I really like routines, for instance—but it can be absolute chaos.
The Bear packs an enormous amount into its eight episodes, most of which are less than half an hour long. There is no wasted space. Every moment seems to serve both as a character beat and either a callback to an earlier scene or setting up something that will happen in a later episode, while also packing in a surprising amount of comedy (particularly shout out Edwin Lee Gibson as Ebraheim).
This economy also allows for at least five different characters to carry out their own little arc. Carmy trying to unlearn the toxic lessons drilled into him by abusive chefs and embracing his family trauma is obvious, as are Richie’s gradual setting aside his bluster to acknowledge the depression of divorce and losing his best friend and Sydney’s obvious skill and ambition that push her to repeatedly overreach. But the writers also gave complete arcs to more peripheral characters like Tina (Liza Colón-Zayas) who comes to appreciate what Carmy is trying to do and realize that Sydney is not out to get her.
Of course, my favorite of these stories belongs to Marcus, played by Lionel Boyce.
When we meet Marcus, he is responsible for making the rolls for The Beef, and is the first of the existing staff to take to Carmy’s vision for the restaurant. With a little bit of inspiration from Carmy’s cooking materials and some encouragement, Marcus teaches himself to bake cakes that they add to the menu. Then he wants to make doughnuts. Things go wrong, at times because that is the nature of the show (and life), but he just keeps going.
What I love about this arc is the reverence that it receives from both Lionel Boyce and the show’s creators. Marcus is given an infectious enthusiasm for baking, almost to the point of obsession. Once he asks for sous vide bags for a fermentation experiment even though he has no idea what he is doing. At the same time, while the The Beef as a whole is absolute chaos, the shots of Marcus baking are done in almost absolute silence, leaving him in this island of calm as he goes through the steps and making it that much more jarring when that calm is disrupted.
This entire season of The Bear is great and the show lands whether or not it continues for a second season, but Lionel Boyce’s performance as Marcus is particularly making me happy this week.