I have mentioned before that I have something of a soft-spot for (often) ridiculous television dramas. Some I legitimately like, others feed bad habits without demanding anything of me in return, including not requiring money. The latest addition to my routine has been Blindspot, an FBI, spy mystery that revolves around deciphering tattoos on Jane Doe’s body and, by extension, figuring out who she is and why she came to the attention of the FBI. Usually I wish they would do more with this sort of character story rather than using the same hook for a new semi-procedural of discovering and then resolving corruption throughout the city. This week’s episode traipsed into a cliche that sits on my list of pet-peeves: the college campus.
One tattoo is revealed to contain significant digits for Hudson University’s highly lucrative football program national championships and seem to point to NCAA scholarship violations, so the agents wander to campus to speak to a coach who denies any knowledge and, on their way out, stumble across a school shooting. It turns out that the shooting is perpetrated by former (and current?) players who have rigged many several doors in a (student center?) building next to the football field with explosives and are now marching through the building with assault rifles in order to kill the coach because he molested them as children; the scholarship violations were hush-money to keep the scandal under wraps. The story is a clumsy retelling of the Jerry Sandusky saga at Penn State garnished with the school-shooting epidemic.
There is a lot that could be unpacked about the inconsistencies of the story. The shooters insist they are only after the coach, but nevertheless rigged doors in a student building with explosives. The coach evidently goes into the building a lot, but this sort of hand-wavy treatment of the college campus is frustrating. The student center of this fictional school contains a) cafeterias, b) classrooms, c) an auditorium, d) labs, and the whole thing is set particularly close to athletics facilities. At a small school this could certainly happen, but at a school large enough to have a nationally-competitive football program it is highly improbable. Instead of offering any sort of specificity, the writers offer vague snapshots of “college” and expect the viewer to be able to fill in the gaps. This is not particular to Blindspot, and Hudson University is a common setting for a large number of television shows when they need a stock-college.
At some level, though, this is a function of the medium. College is still a fairly ubiquitous experience for most people in America and that school is a convenient setting for a story rather than the point of the show, so vague snapshots suffice. Nevertheless, the preponderance of these snapshots help perpetuate stereotypes about the academy. (Perhaps office shows perpetuate stereotypes about offices, etc, but these shows seem to dally with the academy in a way similar only to entertainment industries.)
I don’t like how colleges are portrayed on TV, but have only one, tangentially related suggestion. Even if none of these other stereotypes are resolved, can we at least move them to a more believable location? The last time a New York school with a football program won a national championship was Army, in 1946. The show wants to be set in New York for a variety of reasons, but also to tap into the national obsession with football–two things that hardly go together.