The Last White Man

Anders waited for an undoing, an undoing that did not come, and the hours passed, and he realized that he had been robbed, that he was the victim of a crime, the horror of which only grew, a crime that had taken everything from him

Anders lives in a rural town where he works as a trainer and passes time smoking weed and having sex with Oona, a friend from high school who moved home after college to help care for her mother. This town, which read to me like Britain but could easily be in the US (Hamid also uses ambiguity as a universalizing device this way in Exit West), is populated overwhelmingly by white people. That is, until Anders wakes up one morning to discover that he is no longer white, patient zero for a plague that sweeps through society.

The Last White Man belongs to a genre of novels that range from Albert Camus’s The Plague to Jose Saramago’s Blindness where either a real or metaphorical plague sweeps through a community, thus allowing the author to explore the consequences of this change. (Other reviews mention Kafka’s Metamorphosis, but, despite the echoes in Anders’ experience, I found the broader social transition strain that analogy.) Hamid’s version, the plague is a metaphor for immigration that compresses the abstract fears about replacement into a matter of weeks, thus heightening the social tensions.

Other than revealing who, in fact, becomes the titular last white man, there is little plot to explain in this slim novel. The Anders-Oona relationship, for instance, starts as little more than a liaison of convenience and only develops somewhat beyond that. The relationship Anders has with his father and Oona’s with her mother are similarly lightly-handled. Rather, this is a novel about questions the answers to which have far-reaching consequences.

What impressed me about The Last White Man was how Hamid develops two themes related to identity.

First, Hamid uses Anders’ abrupt transition to explore the experience of being a person of color. He is the same person he was on the previous day, but he also no longer recognizes himself. Moreover, his day-to-day experience of the world has become filled with menace from the people around him. Anders changes how he interprets he the actions of the people who look at him and how he thinks about the people who had been living as people of color in town before the transition, not-so-subtly gesturing at the assumptions and social cues that the majority population so frequently takes for granted.

Anders was not sure where his sense of threat was coming from, but it was there, it was strong, and once it was obvious to him that he was a stranger to those he could call by name, he did not try to look in their faces, to let his gaze linger in ways that could be misconstrued.

Second, Hamid explores how racism can work on a social level. The spreading coloration is not the result of foreign influx or migration and yet the perceived threat fueled in part by media claiming that the plague is the result of a conspiracy seeking to undermine the natural order leads to violence that ranges from suicide to the formation of lynch mobs. And yet, Hamid also leaves the reader with a note of optimism. Most people start out unsettled by the changes, but, just as Anders and Oona are able to rediscover one another, so too is the community at large able to rediscover the ties that make them into a functioning society.

I liked The Last White Man a lot, and both the themes and the lyrical prose are in keeping with the other novels of his that I have read. The simplicity of the plot and character relationships allowed the heavier social themes to shine through in a very breezy read. The simplicity placed this book somewhat behind Exit West in my estimation, but the balance put it just ahead of The Reluctant Fundamentalist. In sum, The Last White Man is well-worth reading and leaves me interested in reading Hamid’s other two novels.

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I just finished reading Angela Saini’s Superior and am now reading both Umberto Eco’s Baudolino and Dara Horn’s People Love Dead Jews.

Weekly Varia no. 10, 01/21/23

The first week of the semester is in the books. All three of my classes have gotten off to pretty good starts, but I always forget how exhausting the first week of the semester can be. My to-do list has bloomed (more algae than roses, though) heading into this weekend, so this weekend will be spent slowly working through tasks that range from some administrative upkeep to shorting up soft spots in my reading lists to the first round of grading, lest the semester snowball out of control.

This week’s varia:

  • Daniel Bessner has a good opinion piece in the Times about the perilous state of history. He points out that “deprofessionalization” of the field creates the breeding grounds for ” the ahistoric ignorance upon which reaction relies” because so much “history” is placed in the hands of social media influencers and influential partisan actors like Bill O’Reilly.
  • ChatGPT roundups are just a thing, I guess.
  • The Missouri legislature is currently debating a bunch of CRT-in-education bills. One proposed bill ensures that nobody will be offering kindergartners classes in CRT, a field of study usually reserved for law schools and advanced sociology degrees. I say, why are parents trying to stop their kids from being pushed ahead? More seriously, this is a continuation of last year’s cultural war du jour that treats any sort of training on issues of diversity, equity and inclusion as nefarious CRT and legislates feelings in a way that puts teachers in an impossible position, which is why one proponent of the bill simply refused to define what he meant by it. These sorts of debates only hurt education, but what bothers me most about the committee meeting is the hostility toward education and educators. When a poll revealed that only one school district claimed they taught a class on these issues, the committee chair’s response was “at least one school district was honest.”
  • The Washington Post has a profile of Matt Yglesias, looking at his career as a disrupter, contrarian, and public thinker. Personally, I find Yglesias to be a problematic figure whose primary claim as someone who can spin a plausible argument out of minimal evidence is as symptomatic of where we are as a society as is Donald Trump. Every once in a while he makes a worthwhile point, but, most of the time, he’s functionally firing hot takes that get treated as something more substantial.
  • The re-election campaign for Chicago Mayor Lori Lightfoot, who appoints the Chicago school superintendent, sent email to schoolteachers asking that they encourage students to work for the campaign in exchange for school credit. This very likely violates ethics rules—especially since there credible (it’s Chicago) accusations of retaliation from the mayor. Students volunteering for campaigns for credit is nothing new, but teachers are not supposed to encourage participation in specific campaigns.
  • The Oversight Board at Meta, which oversees content decisions for both Facebook and Instagram, has told the company that it should “free the nipple” (so to speak). What this will look like is yet to be determined since the company is still likely to want to keep pornography off the platforms, which was the genesis of the policy.
  • A Republican candidate for office in New Mexico has been arrested as the mastermind of a string of shootings that targeted Democratic politicians in the state. The man had to overcome a legal challenge to even stay in the election given his prior felony conviction and, unsurprisingly, he claims that the election was stolen from him.
  • An Indiana woman repeatedly stabbed an 18-year-old student in Indiana University of Asian heritage. The suspect told police that it “would be one less person to blow up our country.”
  • The Kansas City Defender, a black news outlet, reported on the abduction of black women in Kansas City, but the KC police department dismissed the allegations. Then, in December, a woman escaped captivity. Capital B News has an interview with Ryan Sorrell, the founder of the KC Defender, about the story and his efforts to create a crowd-sourced Black missing persons database.
  • Ohio officially declared natural gas “green energy.” The Washington Post has an article on how the campaign ran on Dark Money. Because, of course it did.
  • Americans might be done with the pandemic, but the pandemic is not done with us. Also from the Washington Post, winter COVID surges are a new normal, adding to the typical surges in other respiratory illnesses.
  • Jacinda Ardern is stepping down as Prime Minister of New Zealand, saying that she doesn’t have “enough in the tank” to do the job any longer. While this decision coincides with an uptick in threats against her, I am struck by a politician having the unusual level of self-awareness to know when enough is enough and the combination of humility and privilege to be able to act on that knowledge.
  • Vulture has a good piece on the labor conditions in Hollywood’s VFX studios where the industry standards were developed before the current age of enormous amounts of work after filming, which is leading to systemic understaffing and underpaying made worse by Marvel being a Goliath in the industry.
  • “Marge vs the Monorail” aired thirty years ago this month. Alan Siegel at The Ringer got Conan O’Brien to talk about his idea for the episode as a cross between The Music Man and an Irwin Allen disaster film.

Album of the Week: Counting Crows, This Desert Life

Currently Reading: Marissa R. Moss, Her Country; Rabun M. Taylor, Roman Builders

What does it mean to learn from history?

George Floyd’s murder hit me hard on a number of levels. On a personal level, Minneapolis is my favorite US city, and one where I have both friends and family. On a philosophical one, I am a humanist numb from the colossal disregard for human life in that moment and all that came before. On a political one, the instinct from some circles, including the police and some elected officials, to crush protestors with an iron fist smacks of a turn toward totalitarianism.

My training and background as a historian informs my response on each level. Although my work does not focus on this hemisphere, let alone the past century, I read and teach widely and am always struck both by the historical roots of the systemic problems that surround race-constructs in the United States. This means, among others, the racist roots of policing, the artificial, racist origins of segregated neighborhoods through policies such as redlining, and how the construct of who gets to be white evolved to conscript white-skinned immigrants into the cause of institutional white supremacy.

The first two are obvious, the third is more insidious and leads, in my opinion, to internal contradictions such as many Jews benefitting from White Supremacy and some seeking to reinforce it even while torch-lit marchers chant “Jews will not replace us.”

History is not static, consisting of statues or events frozen in amber with a clear, unambiguous meaning. For one thing, the meaning of both statues and events are contingent, and claims to the contrary are meant to delegitimize challenges to the political status quo. But my assertion that history is not static goes beyond the simple fact that history lives and gets revivified in memory. Rather, history consists of dynamic processes and developments. Named people and events offer concrete case studies that illuminate developments and dates give context, but neither are an end in their own right, whatever the caricatures of history class might suggest.

No class, and certainly no survey class, has time to exhaustively cover every civil rights incident, so teachers choose a few incidents to highlight as representative—the lynching of Emmett Till, the Montgomery Bus Boycott, Brown vs the Board of Education, the Little Rock Nine, Freedom Summer, Selma, the March on Washington, the assassinations of Medgar Evers and Martin Luther King Jr., maybe having students read Anne Moody’s Coming of Age in Mississippi—before moving on to the next topic.

In my US History courses I also spend time looking at propaganda with students that includes a Soviet cartoon from 1930 with a black man lynched from the Statue of Liberty and a white Jesus figure depicted with what looks like a swastika in his halo, talk about the Tulsa massacre of 1921, and explore COINTELPRO, the FBI program that targeted, among others, Martin Luther King Jr.

We also spend time dealing with the history of immigration to the US, charting how immigrant food became mainstream and reading documents like a NY Times op-ed from Senator David A. Reed defending the implementation of the Johnson-Reed Act that cut off immigration from Eastern and Southern Europe on the grounds that they needed to defend America for their grandchildren from those non-white people thought to be flooding into the country. Today, of course, the descendants of many of those immigrants are counted as White Americans and have been co-opted into defending that privilege.

Teaching history comes down to political choices, no matter how it is taught. Historical examples drained of their vitality and set on a pedestal can be deployed to defend all sorts of malicious programs, which is one of the insidious problems behind the trope that we need to learn from history so as to not make the mistakes of the past. Even supposedly a-political history is laden with baggage that generally supports comfort and the status quo at the expense of justice.

Take a seemingly innocuous example: The Plessy v. Ferguson supreme court case in 1896 legalized Jim Crow segregation laws and is generally considered a bad decision, but if your story then charts a trajectory of progress that includes Truman desegregating the military in 1948, Brown v Board of Education desegregating schools in 1954, and the Civil Rights and Voting Rights Acts of 1964 and 1965 as accomplished through the non-violent protests of Martin Luther King Jr. and co., never mind that King advocated confrontation and law-breaking, before drifting away until the election of an African-American president, then you offer a falsely triumphalist version of US history without dabbling in explicitly White Supremacist ideas.

Now, the example above is deliberately over-simplified and every version of this course I have seen at least punctuates the narrative with struggle (Rosa Parks), White opposition (Bull Connor; George Wallace), and murder (Emmett Till; King).

At the same time, there often seems to be reassuring triumphalism baked into how we sometimes talk about US history, as though the United States is obviously the greatest country on earth, so we should look to its earliest history for why that has always been true. The rest of its history, warts and all, simply explains how the US became even better, all the while leaving most of these terms undefined, thereby allowing for the doublethink assertion that the US now is the best country to ever exist and that it was better sometime in the past. This is a facile interpretation, but the US is hardly the only state afflicted by its circular logic. Johanna Hanink offers a really interesting discussion of how a similar process took hold in Ancient Athens in her book The Classical Debt.

I am not particularly interested in debating US greatness. In principle I’m onboard, in execution not so much. However, these triumphal versions of American history belie the processes at work such that every decade or two people can be once again shocked by a George Floyd, Breonna Taylor, Michael Brown, Rodney King, Marquette Frye and Emmett Till, only to reach the same conclusions about what should be done before reverting to comfortable complacency and bigotry that puts the responsibility for civil rights on African Americans or blames them for conditions created by a history of racist institutions.

My courses are far from perfect and evolve as I develop as a historian, teacher, and person. I am currently listening to the audiobook of Ibram X. Kendi’s Stamped From the Beginning, which I hope will help me develop better vocabulary to express these different types of racism for if or when I am back in the classroom.

I hope this moment results in meaningful change, and certainly there seems like a groundswell of momentum, but when I watch institutions long steeped in both overt and covert racism resist accountability for their actions, corporations offer empty platitudes so that people will continue to buy their baubles often made and transported in exploitative conditions, and people continue to defend White Supremacy under various guises, I see the deep historical roots.

Learning history to avoid making the mistakes of the past is nice and all, but it is an empty sentiment. Hitler is bad and we shouldn’t try that experiment again, but too narrow a focus on Hitler and the death camps obscures centuries of anti-Semitism in Europe, the complicity of the German population, how many Americans were outright sympathetic to the Nazi Regime, and how Adolf Hitler actively praised and emulated the Jim Crow regime . I think history is endlessly interesting and teaches skills like how to analyze sources, but, more immediately, learning to think historically means learning to think intersectionally in order to see how these interwoven threads create a larger tapestry.

Lessons from history are not the result of simple equations like [Adolf Hitler] + [wrote Mein Kampf] + [Nazi Party] = [don’t vote for him]. Rather, they force us to look at where and how White Supremacy has entrenched itself because the failure to grapple with and resolve those underlying processes creates the cycle where history appears to be repeating itself.

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I am not as well read on Civil Rights as many people, but here are a few books that have particularly informed how I think about these issues. Nancy Isenberg is the only white author on this list, but her thesis about the perpetually unresolved issue of poor and marginalized whites has had tragic consequences for minorities, so I think it is worth considering here as well.

Assorted Links

  1. Tolkien and Technology-Commented on by Chad, this is an article in the Atlantic about one of Tolkien’s most enduring legacies to fantasy literature, namely the fear and disdain of technology.
  2. Remote-Scanning Techniques Revolutionize Archaeology-An article in der Spiegel about some of the new technology (like flying lasers) that are helping to uncover archeological sites in remote or otherwise veiled locations without needing to embark upon expensive digs.
  3. First Female, Saudi Arabian Olympians-Some photos on The Atlantic commemorating the first female Olympians in that country’s history.
  4. What do we mean by “evil”-some discussion of the Aurora shooting and how people have labelled James Holmes as “evil.” The author points out that evil is really the only word we have, but that it is a word that says “more about the helplessness of the accuser than it does the transgressor.”
  5. How the Gorgeous, Sometimes Fictional Sound of the Olympics Gets Made-Adding to the spectacle of the Olympics, there are the sounds. I suspect that this sort of manipulation of sounds is more common than we might think, but the huge array of different sounds that are traditionally associated with Olympic sports adds a bit more pomp to the coverage.
  6. Ivory Coast Leader Foresees Mali Intervention Soon-Not soon enough, in my opinion, and the intervention requires approval from the U.N. Security Council, but the ECOWAS has obtained Malian permission for the intervention. This is a response to the Islamic fundamentalists who have taken over most of the country and begun demolishing UNESCO sites (which I doubt is actually the immediate impetus). Hopefully it won’t devolve further.
  7. Mississippi Church Rejects Black Wedding-The church in question was founded in 1883 and has never married anyone who is black; despite the prior registration for the wedding, the congregation decided to upholding its grand tradition and prevent the marriage. The pastor agreed because he feared for his job if he proceeded with the wedding.
  8. Orangutan Sent to Island to Kick Smoking Habit-A zoo in Indonesia is sending their heavy smoking Orangutan to an island in a lake at the zoo along with another Orangutan who is known for stamping out butts rather than smoking them.
  9. As always, comments encouraged. What else is out there?

Reflections on The Heart of Darkness: Racism and Audience

One of the books I read last summer after finishing up my Thesis was Joseph Conrad’s The Heart of Darkness. I had not read it before, but I found that I enjoyed it quite a bit. While I browsed around for more Conrad books to read (eventually settling on The Secret Agent), I came across some reviews The Heart of Darkness. There were two prevalent critiques: racism and difficulty of reading, particularly in regard to the verbiage. I understand both complaints, but find both to be invalid.

It is readily apparent in The Heart of Darkness that Conrad is a product of his times and certainly has many of the same prejudices of his time. He is no more racist than his contemporaries and considerably less so than many. So, yes, there are racist elements in The Heart of Darkness, but that does not discredit him. The descriptions in the book, without yet broaching Conrad’s messages about human nature and “civilization,” are incredibly vivid and are critical of colonial exploitation. Keeping in mind that the entire story is told as a reminiscence of Marlow, a man who was employed by a colonial company Conrad depicts “the whites” as the active characters juxtaposed by the more or less passive “blacks.” Even if he did not intend fore there to be an overarching critique of the white behavior (which I think he did intend), and disturbing (though accurate) descriptions of behavior in much the same way as Mark Twain created, The Heart of Darkness still serves as an insight into the conscience of a generation. Was Conrad a racist? Perhaps, but he is also clearly uncomfortable with exploitation and provides a scathing critique of civilization and imperialism–even if there is also an admission that lawlessness is worse.

For what it is worth, I have not read what Edward Said has written about Conrad (though I would like to).

Conrad’s writing is beautiful, direct, and honest. I had few problems with the verbiage and syntax, though I can see why some people may struggle. Frankly, school systems in this country ill prepare people for the humanities in general and particularly history and English. Though I love reading and have a good vocabulary, I hated assigned books and most of the accompanying exercises. Most of the vocabulary and syntax knowledge people get is through their independent reading. Books are widely available, but many of those that are widely read have easier structure and vocabulary. For the most part this is to make them accessible. Many classics of literature were not meant to be as widely read simply because the literate stratum of society was not as large. Conrad uses “big” words, but I suspect that those people who read it upon release would have had no difficulties. In order for a work to survive it has to be read immediately, so I doubt any author attempts to predict what writing would make his work readable in perpetuity. Yes, Conrad provides a challenge to read, but in The Heart of Darkness it is well worth the effort.