Note: the following are somewhat abbreviated thoughts on this book since I finished reading it almost a week ago, but only just now gotten a chance to jot down notes.
I was introduced to Jenny Erpenbeck through Stefan Zweig when an ancient historian lamented the latter’s renewed popularity—the former, he noted deals with comparable themes in the contemporary climate. The Old Child and other Stories is the second of her books, I’ve read. On the strength of The End of Days, which is on the short list of my favorite reads of this year, it is a little surprising that I was let down by this collection, but, then, the bar was set very high.
The titular story (novella by length) takes up the bulk of the book and was the strongest in the volume. The unnamed old child is entered into a boarding school, looking different from her peers. She is fourteen, but lumpy and boxy, looking old, and is ushered into communal life. After abortive attempts to fit in with her peers and the teachers, the old child adopts silence as a survival strategy, without memory of her past, stoic and unchanging while her peers grow up.
Ultimately, though, trying to reproduce the ambivalence, anonymity, and uncertainty that run through the pages to such great effect in this short summation does it a disservice. The Old Child can be read as a political parable about East Germany, and it introduces many of the themes that came to greater fruition in The End of Days. The writing in the other stories followed this same pattern: powerful, direct, vague, but the only story that I found memorable was Siberia, a short tale about a woman who returned from deportation in Siberia to find it occupied by a mistress.
Nothing in this collection changed my mind about Erpenbeck. Her prose is beautiful and even when the plot of a story was forgettable, the experience of reading it was not. The book, did, however, prompt me to think about how I read the written word in different formats. In particular, my ambivalence toward short stories is hardly a new experience and I do not think it coincidental that I thought the longest story in the collection was the most successful. I like how the extra space gave Erpenbeck the opportunity to develop themes in The Old Child, but I also suspect that this is a personal preference rather than a neutral evaluation.
I have also finished George R.R. Martin’s A Knight of the Seven Kingdoms and am now reading Mario Vargas Llosa’s The Way to Paradise. As a general reading note, I have been doing very well in my goal to read more books by women in 2017, so I am adding midyear reading goal: every non-academic book I start in August is going to be written by a woman and since I have been building a collection of books I am particularly excited to read, including Carrie Fisher’s Wishful Drinking, this reading goal may be extended into September.