My 2022: Resolutions

Customarily I end my year-in-review series with resolutions for the coming year. This year, as part of my broader overhaul of this series, this post now begins with a recap of the previous year’s resolutions.

Resolutions recap

The easiest way to assess success or failure of last year’s resolutions is to recap them by category.

Writing: I was mostly successful on my limited goals (chapter for an edited collection, submit book, one book review, clear back work). I didn’t finish draft the chapter because it is due in 2023, but I submitted my book manuscript, identified two books to review (one academic, one for Choice reviews) that should appear in early 2023, cleared nearly all outstanding work from my desk, missed by just one short piece that I’m midway through. 0.75

Reading: I crushed all of my reading goals for this year, at least if you exclude my belated article resolution. I read 20 ancient history books (target: 12) and 65 other books (target: 52), with the latter tally including 27 by women (41%; target 33%), 6 by African or African American authors (target: 6), and from 13 countries and 8 original languages (target: 10 and 7). But I did make the article resolution, which I abandoned for want of time. 0.75

Exercise: I did lose some weight this year, but the better marker of success is in my activity levels. I started running again in May and ran 213 miles across 75 runs, for almost three miles per run even though I didn’t complete my first three-mile run until July. My longest run was only about six and a half miles, short of my ten-mile target, but I also made a deliberate choice to prioritize regularity over length. Likewise, while I went away from doing YouTube yoga routines, I did a self-paced yoga session 336 days this year. Full marks, in spirit, if not letter. 1.0

Other: I failed to follow through on my artistic goals for 2022 and only sometimes followed through on my intention of taking Saturdays off. This was also a year during which the sheer number of things that I had going on meant that I succumbed to frustration and impatience, to say nothing of existential dread. The saving grace here is that I am better about making myself take a few deep breaths than I once was. 0.25

2.75/4 I’ll take it.

The eternal, nebulous, unquantifiable

  • Learn how to say no.
  • Continue learning to let go of things that are beyond my control. Most things are.
  • Be more patient and charitable.
  • Smile more often.
  • Take more time for mindfulness exercises, including both yoga and meditation.

The specific, concrete, actionable

  • Take at least one day each weekend not working, as defined by no work email, no grading, no preparing for courses, and no academic writing. This has been a really important habit for me in recent years.
  • Continue my daily yoga routine that I started back in 2020. Whenever I miss a day I can tell that my equilibrium is off.
  • Continue running, pushing the length past a half-marathon.
  • Continue two writing practices I developed at the end of 2022: weekly varia posts and a nightly writing exercise in my physical journal.
  • Draft one (1) chapter for an edited collection due in 2023.
  • Revise one (1) paper as an article.
  • Find (1) new academic book to review. I failed in this in 2021, but one book feels to me like the right goal: enough to be engaged and write something; not so much that I spend all of my time writing things that are not appreciated in the academic world.
  • Across all types of the lists I keep, my goal for 2023 is 100 books
    • At least 25 academic ancient history or classics books
    • At least 65 non-academic books
      • 40% by women
      • 10 by African or African-American authors
      • from at least 10 countries
    • 10 more from either category
  • I started practicing photo editing, but I never set up a Flickr account because I became paralyzed by options. This year requires a choice.

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Finally, to conclude this series, a message for readers: thank you for following along. Going into the new year I am looking forward to writing more about books, pedagogy, academia, history, and whatever else I happen to stumble upon.

Whatever I write, I hope you’ll join me. In the meantime, may your coming year be filled with warmth and happiness.

My 2022 in Words

So, here’s a thing that happened in 2022: I got married.

I was sitting on the couch with my partner of more than a decade during the last weekend in July. “We should get married,” she declared.

We had talked about marriage a number of times, sometimes seriously, sometimes as part of a long-running joke. We moved in together years ago, entered into a domestic partnership at the start of the pandemic, and bought a house together, so it always seemed like a matter of when, not if, but that when had not yet happened. But this time felt different. The Supreme Court had just overturned Roe v. Wade and a lot of political commentary in those weeks centered on what rights might be next. Contraception was (and is) an obvious target, but, before congress codified the statute this year, some were speculated that protections for gay marriage were also in conservative sights. If gay marriage reverted to a matter of state law, we thought, Missouri’s domestic partnership laws could be stripped down as collateral damage, to say nothing of what might happen if we were to leave this state.

A big wedding seemed impractical given both our personalities and the state of the world and we had decided to embargo the information from our families so that there would be no pressure to do a ceremony and no chance that we would end up with soem people coming and others feeling left out, which meant, to paraphrase Rabbi Tuckman from Robin Hood: Men in Tights, getting married in a hurry. We started calling court houses on Monday. None of the judges in Adair County where we live would perform marriages, while Boone County where we previously lived has a regular schedule that was booked until the start of the semester, which would have meant waiting until at least October.

Then we called Macon, the county between Adair and Boone. The judge loves performing weddings, the person told us. How about Wednesday?

Just like that we had a wedding date.

We drove down on a rainy morning, ever so slightly dressed up and with a pair of silicon rings since they were what we could acquire in time. One of Elizabeth’s shoes fell apart outside the courthouse and then ran into a delay because the judge was on a call, but the ceremony went off without a hitch. On the drive down to Columbia for a celebratory day out we called our families with the news.

This week that spanned from July to August was a microcosm of the rest of my year. A lot of things went well. Professionally, I settled into my job and became further engaged in professional activities, both in official ways and by starting a writing group and hosting afternoon tea sessions for students. I also had an article accepted, finished revisions on my first book, and managed to finish most of my outstanding commitments. Personally, I read a lot of good books and started a regular running habit.

But doing more also comes at a cost.

I went into last summer with a resolution to do less, just as soon as I got through a week reading AP exams and book revisions. July was to be a month for sloth. Then I picked up a summer class last minute after a colleague suffered a health crisis and, in a blink, the start of the fall semester had arrived. Not only had I not had a restful July, but I was also barely ready for the fall classes to start. Then I had a production deadline for my book that left me scrambling to keep up with my teaching responsibilities. By the end of the semester I was feeling the cumulative effect of the past few years where a period of unemployment in summer 2020 was my longest “break.”

At the same time, I’ve come to realize that I don’t want an extended period of time off. I habitually fill almost any sliver of time with books and baking and other hobbies, including exercise. My ideal for travel is either to get lost in nature where I can spend my time hiking or to graze my way through cities while visiting museums and archaeological sites, where I invariably take pictures of things I can use in class. When literature starts feeling frivolous, I start reading non-fiction. If I go more than a few days without writing, I start writing here or on various other projects. I also like being involved.

I have spent a lot of time in 2022 thinking about sustainability. How can history and classics departments build sustainable programs? (It starts with stable jobs for faculty who can support students.) How can I create sustainable practices in the classroom that allow students to grow without burning myself out? How can I cultivate sustainable, healthy habits around writing and reading and exercise? How can I contribute to a sustainable environment when the world seems to be on fire?

I don’t have great answers to most of these questions and some of the solutions I came up with this year backfired, sometimes spectacularly. But I think these are the right questions.

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As part of my overhaul for my end-of year sequence, I have changed the title format, replacing what used to be “using my words.” This post is the penultimate entry, following Writing and Books. Resolutions will close out this series.

Previous years: 2021, 2020, 2019, 2018, 2017, 2016, 2015

My 2022 in Books

As part of a broader overhaul of my end of year series, I’m ditching my usual “lists of note” about books and shows and movies and everything else in favor of a single post with both my favorite books and the long list of everything I read (including both academic and non-academic reading lists).

I had planned to release this post on the final day of the year, but I have a good sense of how much I will read tomorrow and the post I had in mind for today is not yet ready.

I see a few trends from this list. My reading volume took only a small step back from 2021, despite the busyness of my year. I increased the amount of ancient history I read, and I generally kept my reading diet stable at thirty percent nonfiction, more than forty percent written by women (among other metrics that I track). As the list below indicates, I was particularly blown away by a lot of the general nonfiction I read below. However, as compared with the past few years, each of which included two or three of my all-time favorite books, almost all of my favorite fiction of this year were fantasy or science fiction. This reflects not only the type of books I had the capacity to engage with most of the year, but also the quality of recent speculative fiction, and I actively disliked the few literary novels I read that have been appearing on “best of 2022” lists.

What follows is three “best” lists for things I read this year: Ancient History, general nonfiction, and fiction of all sorts. Then comes a roughly-sorted list of the remaining nonfiction, followed by the remaining fiction, lightly sorted so that books by the same authors appear together. Links go to any book that I wrote about this year, though time constraints meant that I wrote about fewer books than usual this year.

Top ancient history

  • Greek Slave Systems in their Eastern Mediterranean Context, David M. Lewis
  • The Breadmakers, Jared T. Benton
  • The Rise of Rome, Kathryn Lomas
  • King of the World, Matt Waters

Top other nonfiction

Top fiction

  • Empire of Gold, Shannon Chakraborty
  • Speaking Bones, Ken Liu
  • Babel, R.F. Kuang
  • Jade War, Fonda Lee
  • Cloud Cuckoo Land, Anthony Doerr

Nonfiction (everything else)

  • The Landscape of History, John Lewis Gaddis
  • Rome and Provincial Resistance, Gil Gambash
  • Three Stones Make a Wall, Eric Cline
  • The Athenian Empire, Lisa Kallet and John Kroll
  • Other Natures, Clara Bosak-Schroeder
  • For the Freedom of Zion, Guy Maclean Rogers
  • Masada, Jodi Magness
  • The Greco-Persian Wars, Erik Jensen
  • The Roman Retail Revolution, Stephen Ellis
  • Remembering the Roman Republic, Andrew Gallia
  • Invisible Romans, Robert Knapp
  • Sasanian Persia, Touraj Daryaee
  • The Ancient Near East, Amanda H. Podany
  • Empire and Political Cultures in the Roman World, Emma Dench
  • The Bronze Lie, Myke Cole
  • The Bright Ages, Matt Gabriele and David Perry
  • The Medieval Crossbow, Stuart Ellis-Gorman
  • Sourdough Culture, Eric Pallant
  • Koshersoul, Michael Twitty
  • A History of the World in Six Glasses, Tom Standage
  • The Paradox of Plenty, Harvey Levenstein
  • Bad Jews, Emily Tamkin
  • Branding the Nation, Melissa Aronczyk
  • The End of Burnout, Jonathan Malesic
  • Four Thousand Weeks, Oliver Burkeman
  • All About Me, Mel Brooks
  • Story Mode, Trevor Strunk
  • Specifications Grading, Linda B. Nilson
  • Born to Run, Christopher McDougall
  • What I Talk About When I Talk About Running, Haruki Murakami
  • Origins of the Wheel of Time, Michael Livingston
  • Billion Dollar Loser, Reeves Wiedeman

Fiction (everything else)

  • Abaddon’s Gate, James S.A. Corey
  • Cibola Burn, James S.A. Corey
  • Nemesis Games, James S.A. Corey
  • Babylon’s Ashes, James S.A. Corey
  • Tiamat’s Wrath, James S.A. Corey
  • Leviathan Falls, James S.A. Corey
  • Persepolis Rising, James S.A. Corey
  • A Stranger in Olondria, Sofia Samatar
  • The Jasmine Throne, Tasha Suri
  • The Silence of the Sea, Yrsa Sigurdardóttir
  • A Hero Born, Jin Yong
  • The Chosen and the Beautiful, Nghi Vo
  • Kalpa Imperial, Angélica Gorodischer
  • Slow Horses, Mick Herron
  • Dead Lions, Mick Herron
  • Real Tigers, Mick Herron
  • The Books of Jacob, Olga Tokarczuk
  • Transparent City, Ondjaki
  • The Life of the Mind, Christine Smallwood
  • The Dinner, Herman Koch
  • Saga v. 1-3, Brian K. Vaughn
  • The Immortal King Rao, Vauhini Vara
  • The Final Strife, Saara el-Arifi
  • The Candy House, Jennifer Egan
  • Go Tell It On the Mountain, James Baldwin
  • The Memory Police, Yoko Ogawa
  • Gods of Jade and Shadow, Silvia Moreno-Garcia
  • Black Sun, Rebecca Roanhorse
  • Gideon the Ninth, Tamsyn Muir
  • The Pharmacist, Rachelle Atalla
  • A Psalm for the Wild Built, Becky Chambers
  • How High We Go In the Dark, Sequoia Nagamatsu
  • The Cartographers, Peng Shepherd
  • The Lost Metal, Brandon Sanderson

My 2022 in Writing

I have decided to rethink my year-in-review series this year. Where I have traditionally provided separate posts for anything published and anything published here, I am combining those two posts into one as a way to better address my writing as a coherent whole. This post thus includes a status update on projects, a list of things published, the best* posts of the year, and some raw stats from the blog.

Status update

2022 was a year of booms and busts for my writing. I started tracking how much time I spent on academic writing back in 2017 and this year marked the second lowest total of the past five years (2019 was a deep nadir for reasons of employment). But my writing this year also swung between periods of exceptional stamina, like a three week period in February where I averaged almost twenty hours each week, punctuated by periods when I didn’t write anything. Even the success of the writing group I started with Vicky Austen couldn’t keep me on track as my semester spun wildly out of control.

The state of my writing projects also contributed to the stop-and-start nature of my writing since the bursts often coincided with imminent deadlines. For instance, every few months this year I had a new deadline while moving my first book through the phases of production. That book is due out in March 2023. The same thing happened on a smaller scale with respect to an article accepted for Classical Quarterly that I am optimistic will appear next year and a book review, and I have also been wrapping up some smaller projects. By contrast, I had to do very little work on the only piece I had come out this year because it had been caught up in the production pipeline.

Finishing, or nearly finishing, these projects, many of which I once thought would be my final academic publications, has also left me thinking through my research pipeline. I have ideas in the works and at least one commitment for 2023, but one of my tasks over the next few months will be to put this in order and figure out where I want to spend my energy.

Perhaps not coincidentally, then, I also did less public writing and fewer presentations in 2022. I still worked on the SCS Blog’s contingent faculty series, but I was not the lead editor for either of the features that we produced this year. (I particularly recommend Kristina Chew’s two part essay.) I also delivered just one conference paper, connecting the mass of people not from Athens on the Sicilian Expedition to the revolt the following year. My favorite piece of writing of the year was a talk about bread baking for a student group on campus that offered “a family and social history of bread.”

It was a similar story on this blog. I wrote somewhat less frequently, but I produced more words than I ever have before because the average post length ballooned enormously.

Publications

“Remembering injustice as the perpetrator?: Orators, Cultural Memory, and the Athenian Conquest of Samos,” in The Orators and their Treatment of the Recent Past, ed. A. Kapellos (Berlin: De Gruyter, 2022), 447–63.

Previous years: 2021; 2020; 2018

I have a complete list of my publications, with links to everything available online, here. If you are interested in reading any of my work and do not have access to it, email me for a pdf or off-print.

Best* Posts

Previous years: 2021; 2020; 2019; 2018; 2017; 2016

Blog stats to date, with a few days left to go

  • Posts: 65
  • Words: 69,482
  • Av. length: 1,069
  • Visitors: 7,941
  • Views: 10,916

My 2021: Resolutions

As is now custom, my year-end series ends with my resolutions for the new year.

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The eternal, nebulous, unquantifiable

  • Continue learning to let go of things that are beyond my control. Most things are.
  • Be more patient and charitable.
  • Smile more often.
  • Exercise to improve health, diet, flexibility and fitness. I made gains on this in 2021, but age, anxiety, and injury gave almost all of it back.
  • Take more time for mindfulness exercises, including both yoga and meditation.

The specific, concrete, actionable

  • Take at least one day each weekend not working, as defined by no work email, no grading, no preparing for courses, and no academic writing. This has been a really important habit for me in recent years.
  • Continue my daily yoga routine that I started back in 2020. Whenever I miss a day I can tell that my equilibrium is off.
  • Start running again and get to the point where I can do (the arbitrarily-set) ten miles in one session.
  • Lose five pounds. I aim to accomplish this both by eating a little less and by gradually increasing my activity levels.
  • Submit the completed manuscript for my first book—due in February.
  • Clear the back-work that I owe. Eep!
  • Draft one (1) chapter for an edited collection due in 2023.
  • Find (1) new academic book to review. I failed in this in 2021, but one book feels to me like the right goal: enough to be engaged and write something; not so much that I spend all of my time writing things that are not appreciated in the academic world.
  • I exceeded my target of reading (12) ancient history or classics books not connected to my research for the second straight year in 2021. I like the practice, so will re-up at at least (12), or one per month. I also have a goal to read more articles but hope to get that off the ground before talking about it.
  • I crushed my goal of 52 other books for 2021 along with most of my diversity markers, but will re-up at the same level:
    • 33% of those books should be by women
    • At least (5) should be by African American authors
    • These books should represent at least (10) different countries and (7) different languages
  • I want to engage in more artistic pursuits this year. Writing is too obvious and measured in other ways and while I would like to do more drawing and/or painting, I don’t have a readily-available target. The obvious direction to take this is, then, is photography. In 2022, I am going to set up a Flickr account and use is to organize and post pictures I have taken over the years. This will also give me motivation to sort through my photograph collections and practice photo editing.

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Finally, to conclude this series a message for readers: thank you for following along. I have some ideas for posts in 2022, but, as usual, content here will reflect my year, what I have the energy to write about, and the fickle fortune of pursuing an academic career.

Whatever I write, I hope you’ll join me. In the meantime, may the coming year be one of warmth and joy for you as we all work to build a better future.

My 2021: Using My Words

I don’t know what to write in these end-of-year posts anymore.

I’ve written in the past about the various struggles with depression and anxiety. Those are both still features of my life. The struggles of trying to forge an academic career are a recurring theme. Last year, I wrote at length about the pandemic and explained my skepticism at the idea that the Biden administration would be the magic bullet. That is not a prediction worth taking a victory-lap through the Omicron-haunted streets for, and I was hardly alone in making it.

Add in that pandemic generally contracted the number of activities I do and that I find my attempts at sincerity turn out saccharine, and I find myself flailing about for words.

For as much as 2021 passed in a blur, it was a big year for me.

I started a new job. I moved into a house in a new city. I took major steps toward publishing my first book. I accepted several positions within academic organizations. I started to travel a little bit again. While ultimately premature, these trips gave me a little hope for a trip abroad in the near future, which is both something I want to do and something that could help jump-start a few different writing projects I have in mind.

And with all of this going on I eclipsed 75 books read, the largest number since before I entered graduate school more than a decade ago, and generally managed to meet most of my fitness goals.

My personal journey over the past several years, starting even before COVID-19 plunged the world into a seemingly-perpetual state of emergency, has been one of coming to grips with my own limitations. Some of this has been the simple realization that I am now in my mid-30s and with the aches to prove it, but the larger part has been learning to accept the absurdity of trying to pursue a career as both a scholar and a teacher at the university level.

Don’t get me wrong, I love what I do. I might have started graduate school in equal parts because I graduated college at the height of the Great Recession and because I wanted to become someone who got to write history books, but, by the time I finished, I had resolved that I would do everything in my power to become an excellent teacher. (I have my strengths, but this is still a work in progress.) I love wrestling with ideas to put them on the page, provided that I am not pressed too much for time and I get as much satisfaction working with students.

But none of this changes the fundamental absurdity of it all. Sometimes that absurdity is comic. Sometimes it is tragic. Sometimes it is satyric.

Wait. Scratch that. I’m getting my typology of academic absurdity crossed with the genres of Attic drama.

The point is that I spent several years making peace with the possibility that an academic career might be something I wouldn’t never achieve, no matter what I did. I would be able to keep writing, of course, but there were just too many factors beyond my control to pin my hopes on it as a source of income. After all, when 2021 opened, I was in my fourth year of cobbling together part-time employment, barely being part of any department, rarely knowing what I would teach more than a month before the semester started. Only once in eight semesters had I been considered a full-time employee and only one other time did the aggregate employment add up to something approximating a full-time salary.

Nothing is guaranteed, even now, but that journey also makes appreciate my current job all the more. There were growing pains that came with starting a new job, of course, and the fifth consecutive pandemic semester made everything harder. But I am also part of a department where my work goes toward a larger program and I am encouraged to think past the current semester. This sort of support goes a long way toward offsetting the grind of a long semester.

Everything I had going on this year also meant that I had less time to focus on the world at large, for better and for worse. After the Trump era I also had less bandwidth to engage with the outrage. I couldn’t stop myself from following along online and remain deeply frustrated by the state of the world for pandemic reasons and in general, but I had to opt out of engaging.

In short, I am entering 2022 in as good as a place as could reasonably be expected. I am healthy, gainfully employed, and in a place to make meaningful strides on both my teaching and writing. Yes, the cumulative effects of the past few years are still present and I am still prone to bouts of anxiety, but I have a sense of optimism about what the year might bring, at least on a personal level. That is quite a privilege indeed.

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This is the penultimate post in my year-end series, following a roundup of my writing, best posts, and lists.

My 2021: Best* Posts

It is time again for my end-of-year series. Previously: Writing Wrap 2021. Next up: my Best* posts from 2021.

I have published 68 posts so far in 2021, totalling more than 62,000 words (average length 921 words), and including some of the most popular posts ever to go up here. The list below consists of posts I look back on fondly and think are worth revisiting.

This year’s selection is eclectic. It includes reflections on pain of the academic job market, expectations, and writing, two entries on teaching, one post about ancient bread, one post about recent media about Anthony Bourdain, and five that directly or indirectly touch on contemporary politics.

Previously: 2020; 2019; 2018; 2017; 2016

My 2020: Lists of Note


Every year around this time I try to make sense of my year that was. The series kicked off with a collection of the Best* posts, followed by a set of numbers that described my year. Today is a set of seven lists that look backward and one that looks forward.

Five favorite novels I read this year:

Seven favorite non-fiction books I read this year:

Five novels I’m looking forward to (maybe) reading in 2020 (no repeats from last year!):

  • American Pastoral, Philip Roth
  • An Unnecessary Woman, Rabih Alameddine
  • Last Train to Istanbul, Ayse Kulin
  • The Makioka Sisters, Junichiro Tanizaki
  • Piranesi, Susanna Clarke

Eight TV shows I was watching this year:

  • The Mandalorian
  • The Sopranos
  • The Vow
  • Schitt’s Creek
  • The Last Dance
  • Briarpatch
  • Narcos
  • High Fidelity

Four movies I saw for the first time that were totally worth the price of admission a streaming platform

  • Fargo (1996)
  • The Breadwinner (2017)
  • Kiki’s Delivery Service (1989)
  • Porco Rosso (1992)

Three video games I enjoyed getting lost in:

  • Assassin’s Creed Odyssey
  • Final Fantasy VII: Remastered
  • Path of Exile

Three podcasts that I filled the hours I spent walking this year:

While I mostly listen to singles, I found myself particularly listening to these albums in 2020:

  • “Harlem River Blues,” Justin Townes Earle (2010, RIP)
  • “Alone Together Sessions,” Hayes Carll (2020)
  • “New Miserable Experience,” Gin Blossoms (1992)
  • Tchaikovsky’s Symphonies

Find the past lists here: 2015, 2016, 2017, 2018, and 2019.

My 2020: Best* Posts

It is time again for a series of posts that I use to reflect on the year that was. First up, I want to highlight some of my favorite posts to this point in the year. These are not necessarily the best or the best-trafficked, but rather things I wrote that I look back on fondly and think are worth revisiting.

For many reasons I did not write here as much as I have in the past (2020 marked the lowest number of total posts since 2011), but writing about non-academic books I’ve read bore the brunt of this change—whether because that writing felt frivolous or because I didn’t have anything to say when I finished a book. My more substantive output didn’t change all that much and the posts I did write were, on balance, longer than in past years. The result is one of the longest Best* posts wrap-up since I started doing this end of year series.

Previously: 2019; 2018; 2017; 2016

As in past years, I’ve written a bunch about teaching and writing in an academic context:

What Would I Write
Evidence, Please
Academic Style
Notes from Corona Campus
First Day Fragments: reflections on ZoomU 2.0

I also wrote a little bit about history and ancient history:

What Does It Mean to Learn From History
Bring Back Dokimasia
The Impossibility of Alexander
Thearion: The Paul Hollywood of Ancient Athens

One of my favorite pieces I wrote was about baking, in response to a sudden shortage of yeast after the start of the COVID-19 pandemic:

Help! I’m Out of Yeast!

Finally, I wrote two pieces about pop culture that I particularly like, an exceptionally silly review of the best books I read this year and a reflection on my connection to Star Wars written in response to The Rise of Skywalker:

Day of the Oprichnik
Star Wars and I

My 2019: Using Words

Judging solely on the resolutions I made for 2019, this was a year of best intentions come up short. At least two failures mirrored even minor successes, and, on the cusp of 2020, I mostly feel exhausted.

However, this assessment is colored by the fatigue I still feel from a particularly grueling semester. This year was broadly similar to the last, which was broadly similar to the one before that and the one before that. I had a few more professional successes in the past years, but I also had significantly fewer teaching responsibilities and more research support. Plus ça change.

Add in that I have now been in Columbia, MO for a decade and am currently without prospects for a permanent job in the area, and what I am feeling might be more appropriately described as stagnation.

All the same, I managed to deliver a paper on bread baking in ancient Greece last spring at the CAMWS meeting in Lincoln, NE, wrote a book review, and drafted two article-length pieces, one for an edited collection, and one I want to submit to a journal. Frustratingly, only the conference paper saw the light of day this year and I was once again unable to complete my first book manuscript (though I did make progress on it). I need to remember that this hardly counts for nothing when also teaching seven classes of my own (five new), picking up additional grading to make ends meet, and applying for academic jobs, all while also setting ambitious reading and exercise goals, and aiming to maintain a healthy relationship

I wrote last year about my recent struggles with anxiety and again earlier this year about struggling to write while depressed. These two emotional states dominated my year to the point that I tried to find a therapist in early September before the semester spun out of control. I received an initial evaluation and was prepared to spend quite a lot of money before my insurance would cover visits, but ended up not following through after being told the wait for start appointments.

Beyond simply the anxiety of the semester, I was (and am) particularly concerned about my career. The academic job market is the stuff of campfire horror stories for many reasons, but the long and the short of it is that most universities remain under regimes of austerity and those that aren’t are not generally not investing in full-time ancient historians. Add in a decade’s worth of accumulated PhDs and you have a recipe for, in some cases, hundreds of applicants and dozens of perfectly qualified candidates for every open position.

Nothing about these realities softens the notification that the job went to someone else.

My application materials are competitive and I have been receiving interviews, but I can’t help but wonder whether this will be the last year I get to do this job that I genuinely love, which, in turn, creates a negative feedback loop on my academic projects. For the work that I have been doing recently, this lack of stability is at least as much of an impediment as is the lack of research support. I have a long and growing list of things I want to do, but I have found myself in a position where I am disinclined to aggressively pursue the most ambitious ones without some promise of stability on the other side because the emotional toll and the cost to my personal relationships is too great. Perhaps I should take more risks, perhaps it wouldn’t matter. But, when combined with the significant amount time spent securing employment, often semester by semester, these issues create a contingent faculty Catch-22.

Professional anxiety was omnipresent last year, but it is worth remembering that there is more to life than this. I was able to reconnect with old friends, some of whom I hadn’t seen in more than a decade, I spent time learning how bake things like croissants, and I remain in a long-term committed relationship with an amazing woman who helps keep me grounded.

I don’t know what 2020 has in store for me, but the new year is upon us so I guess I am about to find out.

ΔΔΔ

My year-in-review series is running behind, but this essay trying to make sense of my year is the penultimate entry. It follows a collection of my best* posts, a list of statistics, and a listicle.

Past essays in this series: 2018, 2017, 2016, 2015.